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With his 11th Quartet, Rihm seems to have mellowed a tiny bit--there are passages with a chorale-like feel to them that wouldn't be too out of line with late Beethoven, then there others that get back to his normal mind-grinding self! The notes state that the 3rd movement pushes the limits of what is playable; of that I have no doubts. Strong, committed performances and great, immediate sound. I need to let my ears recover before I listen to the other two pieces!
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Listening to some really heavenly music . . .
Heavenly Harmonies - William Byrd and Thomas Tallis Stile Antico A Harmonia Mundi SACD, recorded in 2008 Really beautiful music sung by excellent voices - A Cappella - and no need for instruments because these folks are near pitch perfect. Stile Antico is twelve beautiful voices, an early music vocal ensemble from Great Britain, specializing in polyphonic early music composed prior to the eighteenth century. This is about as luxuriant a listen as I've had in a long time. Can't close my eyes though, because I'm sorta watching Alabama and Florida play football as I listen.
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
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Like yin and yang together. And you're right, a wonderful album.
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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You're up late Bart. I believe it's 6 hours difference from the east coast US to Belgium - hope you're listening to some put-em-to-sleep music. (As is this polyphony - beautiful but mind-deadening.)
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
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The music on the disc I posted last, Da Pacem, has a lot of polyphonic elements in it. So, together with the Single Malt I'm having...
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Thank you so much - we should love to accept when we (eventually) make it over the pond. It's a little way off at the moment, but I like thinking about it, and what orchestras I should like to hear and what concert halls I should like to visit.
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Best Wishes, Andy Music washes away from the soul the dust of everyday life. Berthold Auerbach |
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Just arrived this week used from Amazon, recommended here by John (Toccata) among others:
Haydn The Symphonies Philharmonia Hungarica Antal Dorati conducting London 1996 reissue in 33 cd set Original recordings 1971-1974 Now listening to disk 8 while I gradually rip them all to the server. Wonderful recordings, will no doubt provide years of good listening.
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 Last edited by Antonmb; 09-21-2014 at 01:14 PM. |
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This is a lovely new CD. I saw her perform several of these pieces in concert a few months ago and was utterly enchanted by her poetic, and at times, dramatic playing. Many of the pieces are semi-programmatic, but they can also be enjoyed on a purely musical level, too. Fine sound. (I have to make allowances for the construction technique of her guitar: it's by a modern builder who uses some carbon fiber, a popular trend these days, to help brace the top sound plate, which imparts a slight "plastic" tone to the sound. Non-guitar aficionados probably wouldn't notice!)
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After Aimard's disappointing new WTC, I turned to El Bacha's account for some relief! His playing is so much warmer and grander through the use of (tasteful) rubato, dynamics, and pedaling, all of which Aimard eschews. His tempos are a bit faster than Aimard's, too. Exton has provided El Bacha with richer, warmer sound, as well. A pity that it isn't multi-channel like his complete Ravel set, but the sound is excellent by any standard.
I suppose with the name El Bacha, he was destined to play Bach! |
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