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Manley Labs Professional High-Fi Audio Gear |
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#11
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+1. There are folks, Linn among them, who understand and can implement SMPS successfully.
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Main - Roon on Synology/Sonos Port/SoTM endpoint; Chord Qutest, Bryston BP-17 cubed with phono option; EAT C-minor with Ortofon Black MM, Bryston cubed Amplifier; Audio Physic Tempo-plus; interconnects by WireWorld, furniture by Atocha Design 'Phones Audeze LCD-3; Office: Sonos/JRiver; OPPO HA-1, Naim NAP100 and PSB Mini-C. Media Room:, Samsung Plasma, Sonos, OPPO 205, ATI N-core driving KEF LS-50's with REL subs; furniture by BDI; Kids - U-turn for vinyl, Sonos Play5; Summer Shack - Sonos, vintage Pioneer, Dynaudio Special 40's. Last edited by clpetersen; 09-11-2020 at 10:18 PM. |
#12
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There you go: https://www.audioaficionado.org/showthread.php?t=46945 And here: https://www.audioaficionado.org/show...t=47023&page=2
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 061 - 948 - V3 & V6 racks, Vivid Audio G2 Giyas, Silent Angel Bonn N8 Ethernet Switch, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E In storage: Halgorythme amplifiers |
#13
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bart, thanks for the links.
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Amps: Doge 8 preamp, PS Audio IV preamp (passive), Hafler Transnova P3100, Antique Sound Lab AQ-1004 Sources: Sony UHD Blu-ray/DVD, Apple iMac, Amazon UltraHD, Pure Music, Schitt Eitr DAC: Eastern Electric Minimax Plus w/ Burson V6 Classic discrete op amps Speakers: Paradigm S1 v.3 on Paradigm stands, Seismic 110 Subwoofer, PBK-1 Cables: Wireworld Silver Eclipse interconnects and speaker cables Power: Wireworld Silver Electras, Matrix power extender, cruzeFIRST Maestro outlet Accessories: Stillpoints, SVS Subwoofer Feet |
#14
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Does Linn even know to measure high-source impedance leakage current? (it's not obvious how to do this...)
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First Sound Presence Deluxe 4.0 MkIII-Si Special Edition preamp, Conrad-Johnson LP70S amp, Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion w/ EAR324, Oppo BD-83SE, Sonore OpticalModule with Uptone Audio LPS-1.2 power supply, Uptone Audio EtherREGEN, SOtM UltraNeo with Keces P3 power supply, Shunyata Sigma Ethernet & Alpha USB cables, Schiit Gungnir Multibit Gen 5 USB DAC, Schiit Loki DSD DAC, Mac Mini/Roon, Harbeth 30.2 or Dynaudio Contour S3.4 w/ Esotar 2 tweeters, REL R-305, Shunyata Delta and Venom ICs, Shunyata Delta speaker cables, Shunyata Sigma XC, Sigma NRv2, Alpha NRv2, Venom NR-V10, and Venom V14D power cords, Shunyata Everest 8000, |
#15
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But Stephen, is it relevant if the sound quality is exceptional and noise level inaudible? It’s the end result that matters. Measurements are important, but they never tell the whole story. In the end it’s whether and how they impact the listening experience.
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Tony "Have you seen the stars tonight?" ________________________________ Main system: Linn Klimax Katalyst DSM; D’Agostino Momentum S250 & HD pre; Rega RP10 w/Rega Aphelion; Boulder 508; Sonus faber Amati Futura, REL Carbon Special; Shunyata Everest, Alpha & Sigma PC, Alpha IC & SC; UpTone EtherRegen; Quadraspire Sunoko-Vent T, ISOAcoustics Orea & HRS Damping 2nd system: Luxman SQ-N100, Sonus faber Minima Amator II, REL T-5, refurbished AR XA w/Nagaoka MP-200 & VPI cabling, Linn Klimax DSM Renew, Shunyata PS8 w/Defender & Viper, Nordost Blue Heaven PC & IC, Shunyata Venom sc, Symposium Svelte Shelves Workshop: Vintage Yamaha CA-1010 & CT-1010, PSB Imagine Mini, Squeezebox Touch, Schiit BiFrost, AZ & WW cables Digital Streaming source: SonicTransporter i7 w/Roon, Synology DS420+, English Electric 8switch Personal audio: Woo WA22, WA7 & WA8; Auralic Aries Mini, Sonore MicroRendu & UltraRendu; Shure SE535, Shure SH1540, Westone ES50 Custom, Sennheiser HD820, MrSpeakers Aeon Flow C; Various Moon Audio dragons Video: Sony XBR65X850C; Apple TV-4; Vienna Schönberg L/R, Webern center & surrounds; REL T1, T2, & T3; Arcam AVR850; Cambridge Audio 752BD; MIT-EXP SC |
#16
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Back in the day, lots of folks thought that transistors amps had "exceptional sound quality" and were superior to tube amps. But wait..why did I find a Dyna ST-70 to be more enjoyable and engaging than an H-K Citation 12? So, what we thought of as "exceptional sound quality" is, we've found over the last 40years or so of high-end...is continually evolving. We still have folks that believe that with respect to digital music, that "bits are bits", its just 0s and 1s; there's no way that an Ethernet cable (used to be USB cables, remember?) can impact sound quality. We now know this is to be B.S. And, it's not 0s and 1s in digital music reproduction; its analog voltages. We've found that "perfect sound forever" is simply not true. The impact of high-source impedance leakage current causes increased noise on the ground plane, increased threshold jitter and timing errors in the flip-flops and PHYs in endpoints and the DAC chips themselves, and in the digital domain, timing errors in the nanosecond range is audible. High-source impedance leakage current are an intrinsic failure mode from SMPS. For an in-depth white paper on this by John Swenson, who designed these digital chips in his professional career, check out this white paper: https://tinyurl.com/yylwak9b Quoting John Swenson: "Most all network systems used with audio use switching supplies (SMPS) to power the digital devices, routers, switches, computers, etc. The high-source-impedance leakage current from the SMPS will travel through the network equipment, the Ethernet cables, the end-points, and into the DAC where they will create noise on the ground-plane, and thus jitter in the DAC circuitry. Leakage currents can also cause clock modulation in intermediate devices such as “streamers.” I'm asking a really simple question: do they know about this failure mode from SMPS and are they mitigating it? Are they even measuring it? Because how to meausure it is not obvious, nor is it easy to do. And, it does have an impact on digital music reproduction.
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First Sound Presence Deluxe 4.0 MkIII-Si Special Edition preamp, Conrad-Johnson LP70S amp, Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion w/ EAR324, Oppo BD-83SE, Sonore OpticalModule with Uptone Audio LPS-1.2 power supply, Uptone Audio EtherREGEN, SOtM UltraNeo with Keces P3 power supply, Shunyata Sigma Ethernet & Alpha USB cables, Schiit Gungnir Multibit Gen 5 USB DAC, Schiit Loki DSD DAC, Mac Mini/Roon, Harbeth 30.2 or Dynaudio Contour S3.4 w/ Esotar 2 tweeters, REL R-305, Shunyata Delta and Venom ICs, Shunyata Delta speaker cables, Shunyata Sigma XC, Sigma NRv2, Alpha NRv2, Venom NR-V10, and Venom V14D power cords, Shunyata Everest 8000, Last edited by Puma Cat; 09-14-2020 at 10:54 PM. |
#17
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Jeff Rowland uses SMPS in most of his amplifiers including his flagship. My personal experience is even his entry level amps are quieter than many amps using linear PS. Like many things in this industry, quality materials and implemention is key.
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Speakers - Aerial Acoustic 20T V2 w/ JLAudio F212s (CR-1 xover) Ayon Auris II, Ayon Epsilon Evo Monoblocks and Esoteric E-03 phono Digital - Silenzio (NAS) and PS Audio DSD. Analog - VPI Prime Signature w/ Grado Reference 2 Cables - WW Gold IC/SC and WW Plat USB. Power: PS Audio P20 and Cardas Clear Beyond |
#18
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![]() Quote:
Stephen, I really don’t have an answer to your question, I don’t know if Linn is measuring leakage current. They have published a fair amount of information on their power supply designs which can be found through an internet search. I’m also sure Linn would respond to the question if asked. Having said that, I’m afraid the technical aspects are a bit beyond my grasp, I only know what I hear and what others have reported hearing - their systems sound great. Whatever they may or may not have done about measuring and addressing leakage current, either they’ve addressed it effectively, or it doesn’t have a meaningful impact in their equipment, or the other advantages they have created with their design offset it.
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Tony "Have you seen the stars tonight?" ________________________________ Main system: Linn Klimax Katalyst DSM; D’Agostino Momentum S250 & HD pre; Rega RP10 w/Rega Aphelion; Boulder 508; Sonus faber Amati Futura, REL Carbon Special; Shunyata Everest, Alpha & Sigma PC, Alpha IC & SC; UpTone EtherRegen; Quadraspire Sunoko-Vent T, ISOAcoustics Orea & HRS Damping 2nd system: Luxman SQ-N100, Sonus faber Minima Amator II, REL T-5, refurbished AR XA w/Nagaoka MP-200 & VPI cabling, Linn Klimax DSM Renew, Shunyata PS8 w/Defender & Viper, Nordost Blue Heaven PC & IC, Shunyata Venom sc, Symposium Svelte Shelves Workshop: Vintage Yamaha CA-1010 & CT-1010, PSB Imagine Mini, Squeezebox Touch, Schiit BiFrost, AZ & WW cables Digital Streaming source: SonicTransporter i7 w/Roon, Synology DS420+, English Electric 8switch Personal audio: Woo WA22, WA7 & WA8; Auralic Aries Mini, Sonore MicroRendu & UltraRendu; Shure SE535, Shure SH1540, Westone ES50 Custom, Sennheiser HD820, MrSpeakers Aeon Flow C; Various Moon Audio dragons Video: Sony XBR65X850C; Apple TV-4; Vienna Schönberg L/R, Webern center & surrounds; REL T1, T2, & T3; Arcam AVR850; Cambridge Audio 752BD; MIT-EXP SC |
#19
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![]() My personal view is, that with many "noise components", we often don't know they are there until they are gone. Just look at the work that Caelin and Shunyata have done over the last 20+ years to completely change and inform everyone's understanding about the impact of noise on our audio systems. The reason I'm asking about (more like harping on) high-source leakage impedance current is that 1) it was only discovered in Oct. 2017 by John Swenson and 2) John had to develop bespoke, very specialized, test equipment, even to measure it. It's clear from the work John and Uptone have done with the EtherREGEN that it's impact on audio quality is significant. And, I'm just asking EvaAnna, Bruno and Linn...do they even know about it? If not, they should, and, IMHO, they should be measuring it.
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First Sound Presence Deluxe 4.0 MkIII-Si Special Edition preamp, Conrad-Johnson LP70S amp, Michell Gyro SE MkII, SME V, Koetsu Urushi Vermilion w/ EAR324, Oppo BD-83SE, Sonore OpticalModule with Uptone Audio LPS-1.2 power supply, Uptone Audio EtherREGEN, SOtM UltraNeo with Keces P3 power supply, Shunyata Sigma Ethernet & Alpha USB cables, Schiit Gungnir Multibit Gen 5 USB DAC, Schiit Loki DSD DAC, Mac Mini/Roon, Harbeth 30.2 or Dynaudio Contour S3.4 w/ Esotar 2 tweeters, REL R-305, Shunyata Delta and Venom ICs, Shunyata Delta speaker cables, Shunyata Sigma XC, Sigma NRv2, Alpha NRv2, Venom NR-V10, and Venom V14D power cords, Shunyata Everest 8000, |
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