#2151
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At least in my main rig, I think I am narrowing down. The LP-27a and PSE will likely serve for the foreseeable future. I've gathered all the parts for new speakers (Altec 414-8C's, 802D's, 32A horns, custom autoformers, vintage oil caps and WE wire) and need now to finalize the cabinet design and have them built and tuned. I also need to upgrade my phono stage (using a Stan Warren - modified Superphon Revelation Pro Basic ATM), and modify/tune my turntable (Kenwood KD550) and replace the arm (probably Jelco or SME). I have DAC's from Schiit (Gungnir MB) and DB Audio Labs (Tranquility and Tranquility SE).
I also have to rearrange and tune the dedicated room. It is only about 11' x 12', so this is a challenge but I am free to use room treatments. |
#2152
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My LP27a was sent with a 6BX7 and some one here posted that it can also use 6SL7 & 6SN7. Just gives more options. Last edited by FloridaBoy; 08-28-2016 at 05:31 PM. |
#2153
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#2154
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I don't see the 6SL7 and 6SN7 tubes to be optimally swapable.
They have different heater currents, max plate voltages, max plate dissipation, and have significantly different gain. The plate resistance within the tube is 44K in a 6SL7, it's just 7K in a 6SN7. If a circuit is designed for one of them then substituting the other could behave quite differently, and have a significant effect on the sound of the amp. Just like subbing a 12AX7 for a 12AU7, it doesn't change just the gain but can throw the entire tone of the amp off. |
#2155
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I have a 421a amp that uses either a 6SL7 or 6SN7 as the driver tube. The 6SL7 has more gain and is the better sounding tube in the application to my ears, but the 6SN7 is valid in that position and had I not heard the 6SL7 I would be perfectly happy.
In this application - the driver tube of a single-ended amp - it would appear that the differences between the two tubes are within the realm of acceptability. |
#2156
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Some will say it is acceptable, others will say it is not even close.
I wouldn't do it. |
#2157
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Just picked up a Sylvania 6BX7GT to try. Dennis it would be a little more "nasty" compared to the 6SL7s. Another reason I'm glad the PSE is using the 6xx7's, already have some tubes to role. |
#2158
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Well, the designer and builder both say it is acceptable, so I suppose I'll risk it.
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#2159
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Will be looking forward to your impressions of the PSE. This is how Dennis described it too me "The 45 amplifier presents one of the closest to a live performance presentations I have heard. This new PSE presents the performance closer to the studio performance. Speed, dynamics with an amazing jump factor. Two different listening venues with great emotional impact either amplifier." Went as far as calling the 45 SET an "old guy" amp. |
#2160
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That sounds like my amp - 800v Jantzen's in the PS and 1200v Jantzen's in the coupling positions. Changing the coupling caps is perhaps the easiest mod you can make, but getting Jupiters under the hood of the PSE might be pushing it; they are pretty big. The Humble Homemade Hifi Cap test (Humble Homemade Hifi - Cap Test - a must read in my opinion) rates the Jantzen's very highly, but implies a certain "German" character to the sound (i.e., not romantic at all). The Audyn and Mundorfs seem to share this characteristic.
I have no problem with a studio sound; the speakers the PSE will drive are an interpretation of a classic Altec studio monitor. My other main amp is a custom build of a Fi 421a circuit, driving Omega Super Alnico Monitors. This amp has a character somewhere between a 45 and 300B tube and has enough room under the hood to add Jupiter (or Red Astron or Vitamin Q) caps if I feel the need to "upgrade". The 421a (and the direct-coupled 45 amp I used to own) have an intimacy that works really well with less complex music and especially the human voice, but lacks some of scale I need for some of my more "produced" music. I hope the PSE will fill that need pushing 12" Alnico Altec's. "Speed, dynamics with an amazing jump factor" is exactly what I want. |
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