#11
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When it came time to upgrade the Alexx®, Daryl Wilson wanted to be sensitive to where research and development had brought Wilson Audio over the past five years. The decision was made that a fresh look at the Alexx was in order, so Wilson Audio’s R&D team approached the Alexx V as it if were an all-new loudspeaker. They took elements that clearly worked in the original design and began to apply the myriad of technologies generated by Wilson’s R&D since the advent of the Alexx. Following major launches of the WAMM Master Chronosonic®, Chronosonic XVX®, Sasha DAW®, and SabrinaX®, Alexx V joins a very special family of groundbreaking loudspeakers designed and handcrafted especially for music lovers and audiophiles alike.
The original Alexx loudspeaker, launched in 2016, quickly gained critical acclaim throughout the industry. Alexx benefited from several elements developed during the five years Wilson Audio’s founder David A. Wilson, and his unwavering R&D team, brought to life his magnum opus: the WAMM Master Chronosonic. Now, five years after the monumental accomplishment of the WAMM, Alexx V builds upon the original Alexx’s success by offering a completely re-engineered performance envelope without greatly increasing the footprint. Comparing the overall size of Alexx V to the original, Alexx V is only 1” deeper and 1” taller while maintaining the same width. Each and every component of Alexx V has been re-evaluated and significantly improved. The launch of Alexx V represents a cumulative approach to loudspeaker design, something that Wilson Audio has been steadfast about integrating since the very first location monitor that Dave built almost five decades ago. Incorporating the latest technologies, engineering efficiencies, and material sciences, Alexx V has improved upon the original Alexx by giving, yet again, a higher level of resolution (both temporally and audibly). Finally, Alexx V incorporates Wilson Audio’s latest design language which started with the WAMM Master Chronosonic. The open gantry design not only allows for more structural rigidity and setup flexibility, it also provides a more free flowing organic look and emotionally expressive sound. |
#12
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When it came to #Alexx V’s tweeter, the R&D team once again considered all available options. Fundamentally, the integration of the tweeter and midrange is an absolutely critical element to sound reproduction. Countless hours were spent examining areas of improvement. After careful and methodical consideration, the R&D team decided to build an all-new tweeter system. Therefore, Alexx V features an entirely new Convergent Synergy Carbon (CSC) tweeter, which builds upon a modified version of the previous Convergent Synergy motor while embracing an outstanding and intricately innovative rear-wave chamber. This all carbon fiber design is completely manufactured in-house using several 3D printers. The sonic results of this tweeter development cycle have been nothing short of dramatic. The CSC offers far greater and more linear high frequency extension while providing unprecedented ambient retrieval and superior harmonic detail.
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#13
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Another picture showing the tweeter evolution.
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Main: Mc C2200 (Telefunkens) and MC207, Spectral DMA-180, Marantz AV8805A, JL Audio CR-1 and SAv2, Sony ST-SA5ES, TC-KA3ES and MDS-JA50ES, Oppo UDP-205 and BDP-103D, Bryson BDA-3, Magnum Dynalab FM Signal Sleuth, Remedy, PS Audio P12, Pioneer DT-555, Samsung 65" QLED TV 8K, JBL 4311B, M&K MX125II on Ultra SS Stillpoints, B&W HTM2D2, CCM7.3 S2, CCM683 Office: Sony TA-F700ES (Mod), MDS-JA50ES (Mod) and SEQ-333ES, Accuphase T-107B, Bryston BDA-3, BHA-1 and BUC-1, Audeze LCD-4, Linn Tukan, REL T7 on Ultra SS Stillpoints, PC Server (16 TB) Mobile:Audison bit One Virtuoso HD, bit Play HD, Amps and speakers. |
#14
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#15
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Continuing the Midrange – Tweeter – Midrange (MTM) design geometry of the original Alexx, our engineering team has spent considerable time advancing key components of the loudspeaker’s sound characteristics. Every baffle angle, at every module position, has been refined. The time-alignment accuracy of Alexx V is much closer to the XVX, giving this system the ability to recreate micro-detail one would expect from a much larger system. |
#16
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#17
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Here's an article by Part Time Audiophile with some nice pictures of the ALEXX V. Looks like as real winner. Can't wait to hear a pair.
https://parttimeaudiophile.com/2021/...announcements/
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#18
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Great photos and article!
Some lucky audionut is expecting a pair soon,..wonder who that could be ? [emoji1787] |
#19
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It might take a Nobel winner to figure that out.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#20
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