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#1
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I've always liked the idea of linear trackers but you don't see too many reviews of the TT3 or even the TT2.
Any experiences here? |
#2
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None here, but very interested. Lurk ...
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#3
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lurking
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#4
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I have a TT2 on another Innovation Wood Table.
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__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#5
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Gosh, that TT2 is one beautiful arm. And it's not just their linear trackers; it's a bit frustrating that all the Clearaudio arms lack exposure and coverage, despite seemingly dripping with top-notch engineering, immaculate build quality, and aesthetic beauty.
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#6
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I mean, Stereophile used to publish negative reviews, I have read that a negative review in Stereophile in the 80's of a Micro Seiki turntable DD Turntable basically sunk DD Turntables in the USA? |
#7
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#8
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Twenty years later -- dunno. Personally, having an "inexpensive" linear tracker a number of years back I was never satisfied nor comfortable with it. Gave it a shot though & moved on. Best Sir, Bob PS: 1997, VOL 20, #11 (if you can find it on line).
__________________
Amps: Dan D'Agostino Progression Monos on 20A dedicated breakers. Preamp: Dan D'Agostino Progression Preamp. Digital Source: dCS Paganini 4 stack (Transport/DAC/Clock/Upsampler). Analogue Preamp: VAC Renaissance SE Phono stage with XLR Output Option & with Nordost Tyr 2 P/C and Tyr 2 XLR's. Analogue Sources: SME 20/2 w/SME V arm & Nordost Valhalla TA cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote. Vibration Control: TT on HRS M3X 1921 shelf, Stillpoint Ultra SS under dCS Transport, Stillpoint Ultra-Mini's under dCS 3 Stack. HRS NA100's under Ansuz D8 Power Distribution Bar. Speakers: Wilson Audio Alexia in Argento Silver/Black grills. Power Cables: 3 each 2.5M Nordost Odin Supreme Reference on amps & preamp. Nordost Valhalla V1 on dCS Transport. Power Distribution Bar: Ansuz Mainz Diamond 8(D8) fed by Ansuz Diamond Power Cable. Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2). Speaker Cables: 3M Nordost Odin Supreme Reference with 4 Nordost Sort Lifts. Signal Cables: Nordost Tyr 2 XLR's 2M on dCS Paganini and Mono amps. Nordost Valhalla 2's 110 ohm Digital AES/EBU on dCS internal connections and Crystal Cable Firewire 1394 cables on dCS. Clock Cables: 3 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Headphones: Selling - 6M Cardas Clear HP cables. Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear: Mint late '60's/calibrated Heathkit TT-1A & current SOTA MaxiMatcher Power and Preamp tube test sets. Last edited by vintage_tube; 03-28-2018 at 01:40 AM. |
#9
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My guess is the discriminating listener will keep vinyl alive & well as the various digital formats come & go.
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Glenn... Clearaudio SM Pro Denon DP-80 w/AT33R, Benz Glider, Ortofon Cdza Blk & K-b Dual 701 w/AT-VM740ML, AT-MONO3/LP & Ortofon OM30 Grado GW100V2 Jelco HS-25 Nordost Valhalla Oppo 203 Orsonic AV-1b Pass Labs INT-25 QHW The Vinyl Shanling M3s Shure M97xE Sony ST-J75, ST-A6B & TA-F6B Stax UA-7/CF Stillpoints LP1v2 Triangle Magellan Duetto WW Pt, Au & Ag Eclipse 8/7 Yamamoto HS-2 & 4 Yamaha T-2 |
#10
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One of the turntable setup videos I watched a few weeks ago (might have been an article I read) had the commentator say that linear tonearms weren't truly tangential, and that they essentially have, for lack of better paraphrasing, back-and-forth-skating as they travel down the groove. Might have been Fremer, but some of these videos have kind of run into one another in my mind.
Not being an audio or mechanical engineer, I can't argue one way or another, but a linear TA would presumably have less skating force than a pivot tonearm. I certainly wouldn't let some nearly off-hand comment ditch an entire design scheme. Mike, you're absolutely right about the drama and hot air. Would be interesting to hear a shootout and let the sound determine the difference (not that one would necessarily be "better" than the other). Hey Mike, wanna install a second, linear, tonearm on that Innovation Master? I'll bring over a six pack of your choice of brew!
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
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