#131
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For those who are fans of Steve Hoffman's remastering work on scores of Classic Rock albums, I remember he noted in a post he published to his own website that of the various editions of the MC275, he preferred the Mk II, Mk III, and Mk IV for sonic qualities when hooked up to a pair of original Legacy Focus towers (the speakers I had at the time).
But he also said he thought the BEST McIntosh sound he'd ever heard with the Legacy Focus was actually generated by the MC240, which he believes is a much sweeter sounding amplifier than even a vintage MC275. The Legacy Focus is rated at 96 dB efficiency, so the MC240 can drive it relatively easily, but it's got a wicked impedance curve in the lower registers, so be forewarned -- 40 wpc might not be enough if you're playing Zeppelin or The Who at proper (read: loud) sound levels.
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Main: Wilson Alexia, D'Agostino M400 monoblocks, Ypsilon PST-100 Mk 2 preamp, Helix 1 turntable w/Lyra Etna SL cart and SAT tonearm, Ypsilon VPS-100, dCS Vivaldi DAC, Shunyata Triton v2 & Typhon, Shunyata Cyclops and power cords, Transparent Opus MM2 speaker cables and interconnects, Kubala-Sosna interconnects and power cords. Family Room: Legacy Focus towers, sub, and surrounds, McIntosh MC452, McIntosh C2500, DHC-80.3, Parasound Halo A-51, Sony HAP-Z1ES, AppleTV, OPPO BDP-105D, Sonos, XBox One, XBox 360, Shunyata Triton. Office: KEF LS-50, Decware Zen Mystery Amp, E.A.R. 868, Sony HAP-Z1ES, Sonos. Library: B&W 805 Maserati, JL Audio Fathom f113 sub, twin MC275LE, McIntosh C2500, AMG Viella V12 w/Lyra Etna cart, Sony HAP-Z1ES, Sennheiser HDVD 800 headphone amp/DAC, Sennheiser HD800 cans. Other: VPI Aries 3 w/Triplanar tonearm and Dynavector 17D3 cart, CTC Blowtorch, Vendetta Research SCP-2A, 2 MC30's, 3 MC240's, MC275 Mk V, MC275 Mk VI, 2 Bob Carver Black Beauties, EAR 890, EAR 324, Parasound Halo A21, Parasound Halo JC-1 monoblocks, Parasound Halo JC-3, Pioneer SX-1250, Pioneer SX-5590, Pioneer SX-1980, Thiel CS2.4 speakers. A man's reach should exceed his grasp, else what's there a Heaven for? |
#132
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Last Summer I ordered a McIintosh C2500 and a MC275 to replace an aging Audio Research SP8 preamp and D70 power amp. I need the preamp the most but decided to replace both. The MC 275 version VI was delivered first. What surprised me was how much the MC275 cleaned up the base.
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#133
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Excellent. Thanks.
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#134
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After I picked up my 275 MKVI yesterday, I would like to become a member of the brotherhood.
I've got three new pieces that all went in my system yesterday....MC275, C2300, and a WW Gold 6 XLR cable that connects them. I haven't found the magic yet, but I'm betting its because one, two, or all three need some break in time. Can anyone speak to the needed break-in time with the 275 (or others) if you have experience?
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Brent Equipment: McIntosh MC302, McIntosh MX121, Franco Serblin Accordo, Oppo 105 Darbee Modwright, Running Springs Haley Cables: Wireworld Gold Eclipse speaker, Wireworld Gold Eclipse Interconnects, Wireworld Silver Power Cords |
#135
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WELCOME to the club inside the club!
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#136
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I am sure Dan et al can add much more detail but My experience with the 2300 shows at least 50 hours are needed. It is much "smoother" and open now. No experience with the 275... Yet. . This is the time when you need to feel like Grasshopper and have patience. But it is not easy!
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#137
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2300 + 275 = happy happy happy.
just turn it on and listen and enjoy. you will hear differences for quite awhile and it only gets better. |
#138
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Brent.......Congratulations on the MC275, C2300 combo. These two components will definitely blossom for you. With both components being brand new you are breaking in more than just the tubes. There are power supply capacitors and other hard parts that must settle into their own. It generally takes tubes about 50 hours to reach a state where no further improvement can be heard but hard parts, especially capacitors, require longer periods of time. I suspect the MC275 and the C2300 will continuously improve over about a 250 hour period, perhaps slightly sooner, before they reach their permanent sonic signature. Patience will be rewarded. Don't forget, you are also breaking in cables, too.
If you are operating the C2300 and the MC275 with McIntosh stock tubes, you will discover a big improvement when you roll in Gold Lion KT88's and almost any quality UK or German versions of the 12AX7's and 12AT7's. After much tube rolling and dollars spent I ultimately settled on all Gold Lions tubes (power tubes, driver tubes and invertor tubes) in my MC275 amplifiers and was astonished at their bass authority, dynamics and midrange clarity. In my C2300 I am presently using Gold Lion's in the line stage and Telefunken tubes in the MC phono stage. Have fun with this super gear. The C2300 and the MC275 are wonderful performers. By the way, welcome to Club MC275.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 01-12-2014 at 08:52 PM. |
#139
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Dan, thank you very much for this super detailed explanation. Instead of saying, "just wait, it gets better", you give all the reasons why. I appreciate you, your experience, your expertise, and your friendly way that you go about everything. You are such a huge asset to this community. Thank you!
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Brent Equipment: McIntosh MC302, McIntosh MX121, Franco Serblin Accordo, Oppo 105 Darbee Modwright, Running Springs Haley Cables: Wireworld Gold Eclipse speaker, Wireworld Gold Eclipse Interconnects, Wireworld Silver Power Cords |
#140
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Quote:
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 01-13-2014 at 01:25 AM. |
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