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The D1100 is an 8 channel, 32 bit, Quad balanced DAC. Half dedicated to the left channel, and half dedicated to the right. Everything is isolated and it operates in true dual mono mode.
I used to use the D1100 as a Preamp/DAC before moving to the C22 Preamp. The D1100 is just used exclusively as a DAC in my system and it shines. As others have said here, separates are better and that is my opinion as well.
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Joe Great Room: 2 Channel System Amplifier: McIntosh MC312 Preamp: McIntosh C22 Mk V (Gold Lion Tubes) DAC/CD/SACD: McIntosh MCD12000 Streaming Source: Aurender N10; UpTone Audio EtherREGEN Switch; AfterDark Project Clayx Giesemann OCXO 10MHz Reference Queen Master Clock w/ Black Modernize LPS x 2 Giesemann OCXO 10M Edition Speakers: Canton Reference 3K Power: 2x Dedicated 20 Amp Breakers + Whole House Surge Protection Power Outlets: PS Audio Power Ports Power Resonators: ADD-Powr Sorcer x4 (at service panel); ADD-Powr Wizard; ADD-Powr eau2; ADD-Powr Symphony (in network closet) Power Distribution: Shunyata Denali 6000/S v2 Power Cables: Shunyata Delta v2 XC (Denali v2 to dedicated 20A Outlet); Shunyata Venom NR v10 (Amp to Denali v2); Shunyata Delta v2 NR (Preamp to Denali v2); Shunyata Alpha v2 NR (DAC to Denali v2); Shunyata Venom NR v12 (Wizard to dedicated 20A Outlet); Shunyata Venom V14 Digital (Streamer and Master Clock LPS to Denali v2) Speaker Cables: Shunyata Sigma v1; Shunyata Sigma v1 Jumpers Audio Cables: Wireworld Silver Eclipse 8 XLR (Preamp to Amp); Wireworld Gold Eclipse 8 XLR (DAC Tube and Solid State Outputs to Preamp); Shunyata Sigma USB (Streamer to DAC); Shunyata Sigma v2 AES/EBU (Streamer to DAC); Shunyata Venom Ethernet (Wall Wart to EtherREGEN); Shunyata Sigma Ethernet (EtherREGEN to Streamer); Wireworld Platinum Starlight 8 75-Ohm BNC (AfterDark Queen Master Clock to EtherREGEN); Wireworld Platinum Starlight 7 S/PDIF (Streamer to DAC) Isolation: Stillpoints Ultra SS (Under Speakers); Stillpoints Ultra Mini's (Under Preamp and DAC); HRS E1 Isolation Platform w/G7 Feet and G-Links (Under Amp and Master Clock/LPS); HRS E1 Isolation Platform w/G7 Feet (Under Streamer); Shunyata DarkField Suspension System and DarkField Mini Elevators (Under Speaker Cables); IsoAcoustics Iso-Pucks (Under EtherREGEN) Noise Reduction: HRS DPX-14545 Damping Plate (On Amp and Preamp); HRS DPII-14545 Damping Plate (On DAC) Grounding: Shunyata Alpha v3 CGC/SGC Ground Cable (DAC to Denali v2); Shunyata Delta v2 CGC/SGC Ground Cable (EtherREGEN to Denali v2) Rack: Quadraspire SVT Sun Room Wireless Speaker: McIntosh RS200 Power Resonator: ADD-Powr Symphony Pro Power Distribution: Shunyata Venom PS8 w/ Venom Defender Power Cables: Shunyata Delta NR (Venom PS8 to Wall Outlet); Wireworld Silver Electra 7 (RS200 to Venom PS8) Isolation: IsoAcoustics Iso-Pucks Rack: Pangea Audio Vulcan Last edited by brownbear; 03-19-2023 at 11:40 AM. |
#12
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If you notice the stand alone phono pre is the MP1100, which was meant to be the companion to the C-1100 pre as is also the D1100. Essentially, the C12000/MCD12000 is the replacement for the C1100/D1100/MP1100, both of which are McIntosh reference gear. Unlike many, I choose not to chase the latest chip or discrete DAC design because I believe the key is in the details, i.e., the overall design of the total gear involved. I think your question should be: "What is the sonic difference between an MCD12000/C12000 and an MDA200/C12000. According to my Mac friend who is an engineer, the MCD12000 has a better DAC than the D1100 and is dual mono, i.e., a true reference tube DAC built by McIntosh. I believe this combo to be my choice for the best vinyl/digital on the market today. I believe that an MDA200/C12000 combo competitive with my gear: D1100/MCT500. As to which one I would ultimately choose, I would choose mine for several reasons. The D1100 is a true reference quality Mac preamp and the DAC is also of reference quality. I have no interest in vinyl. If I owned a C1100/D1100/MP1100 combo I would not be envious of the C12000/MCD12000, but I would choose the latter if forced to choose. This brings me back to your original question about the MDA200 not being a true reference. I believe that you have two choices: go with your original gut instinct: C12000/MDA200 or upgrade to the current true reference: C12000/MCD12000. A replacement for the D1100 is not coming anytime soon, if ever. I'm content with the choice I made. I believe that you can't go wrong with either of the above choices. What has happened to you has happened to every serious audiophile. You bought a piece of gear that is a true reference that you did not plan on buying. But there it was in all its splendor. You took it home. The rest is history. It's a beauty. It really is, but it's also a hot potato because it has put you on the path of upgrade disease. I say this tongue in cheek but also quite seriously. Of course the current true Mac reference will sound better, but the MDA200 is a fine stand alone McIntosh DAC, totally compatible with your beautiful C12000. Either way (choice) only your wallet can loose. Best Charles p.s. Congratulations on your 50th. We all need that excuse to justify our over the top purchase, don't we?
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__________________________________________ Charles Updated System: Wilson McIntosh Audioquest New gear on order: MC2.1KW Anniversary power amplifier; C12000 An preamplifier; MCD12000 An SACD/CD player; AQ 1 meter Dragon balanced IC; 2 meter AQ Hurricane HC power cord; 3 meter AQ Hurricane Source power cord; unspecified 3 meter AQ digital coaxial IC and power cord for my backup MVP851 DVD player given as a surprise gift to me by my dealer Most recent updates: Latest is the last one posted: AQ Diamond USB replaces AQ Coffee; Wilson Audio Specialties Alexx replaced by Wilson Audio Specialties XVX Chronosonic; new subwoofer crossover; new Galaxy Grey Thors Hammer; Wilson Pedestals; heating and cooling completely reworked and reinsulated resulting in a much quieter, cooler, and more efficient room (cost about 10,000.00). McIntosh MCT 500 SACD/CD transport; Wilson Audio Acoustic Diode for XVX Chronosonic; WEL Signature digital Coaxial cable for MVP 881/D1100 digital connection replacing the optical connection; New plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; Thor is now off my floor; MC3500MKII mono block amps (2) and two custom granite slabs; Wilson ActivXO Stereo Electronic Crossover; new 75-ohm multi-directional FM antenna for tuner; total of eight additional Wilson Audio Heavy (red) pedestals placed under the MC3500MKII mono blocks; JRiver Media Center 31 Amps: McIntosh MC3500MKII mono blocks (2), McIntosh MC1.25KW’s (3). All amps set on floor on custom made granite slabs Preamp and DAC: McIntosh D1100 Sources: McIntosh MCT500 SACD/CD Transport, MVP881 BR player, MVP851 DVD player, MR87 tuner, Marantz 510LV Laser Disc player, ASUS laptop USB (JRiver Media Center 31) Speakers: Wilson Audio Specialties XVX Chronosonic; custom made Wilson Acoustic Diodes Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1) horizontal lie; custom plinth of X material with Wilson Acoustic Diode feet; Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables and balanced IC (preamp to amps); WEL Signature AES/EBU balanced digital IC for CD playback; WEL Signature digital coaxial cable for MVP 881/D1100 digital connection; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; McIntosh MCT cable for SACD playback; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC from ActivXO crossover to amp; Wind balanced IC from preamp to ActivXO; Hurricane HC (2) and Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines with no. 10 wire straight out of fuse box Isolation: Wilson Pedestals for D1100; MVP881 BR player; MCT500 transport; Wilson Audio ActivXO electronic subwoofer crossover; plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; eight Wilson Audio Heavy (red) Pedestals placed under the MC3500MKII mono blocks (four placed under the rails of each amp) Cabinet: Double Custom Woodwork & Design (CWD) solid walnut cabinet on large casters; holds all sources and preamp; also, Niagara 7000; 11 feet minimum distance from speakers Acoustic Treatments: Room and Echo Tunes AC: Dedicated to this room only, an ultra-high efficiency and quiet recently installed Ruud split system 3-ton heat pump. Last edited by Charles; 03-19-2023 at 12:12 PM. |
#13
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I seriously considered it too - and I have Aurender N30SA. Delivery was a problem.
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Aurender A30 -> Mac C1100 -> 2 x Mac MC611 > Franco Serblin Accordo Essence + Pair of REL Carbon Special Aurender A10 -> Mac C1100 -> 2 x Mac MC611 > Joseph Audio PERSPECTIVE2 Graphene VPI 40th. Anniversary Direct Drive -> Audio Research Ref. 3 Phono Aurender A10 -> Ref 6 -> GS150 > PMC Fact 12 McIntosh MCD500 -> C1100 - >MC452 > PMC Fact 12 Aurender A10 -> -> E470 > PMC Fact 12 Speakers: Monitor Audio PL200 , , Monitor Audio GX200 PMC Fact 12 Tidal -> Aurender S10 -> Accuphase DC-37 -> Accuphase E-470 -> Monitor Audio GX200 Tidal -> Aurender S10 -> MD108T Signature DAC -> Mcintosh C1100 ->McIntosh MC452 -> JBL 4344 |
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