#31
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Teresa Cristina - Canta Cartola
A beautiful voice in the tradition of the Musica Popular Brasileira (MBP) Recorded live in Rio de Janeiro in 2015, Nonesuch Records via Qobuz
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#32
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Quote:
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Sonus Faber Elipsa SE | REL S/812 | Goldmund Telos 280 | EAR Yoshino 912 | Merason DAC1 | Innuos ZENith Mk3 | Clearaudio Innovation Basic + TT5 + Lyra Delos | Studer A810+A807 | Nakamichi Dragon | RDacoustic Hybrid Acoustic Diffuser |
#33
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Wow, what a great discovery for me! Thanks for sharing.
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Serge |
#34
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World music is one of my favorite genre (if that's a genre anyway), along with movie soundtracks. Here are a few that I like.
Rabih Abou-Khalil - Selection Adam Ben Ezra - Pin Drop Very well recorded too!
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Serge Last edited by Parabellum; 09-08-2020 at 10:45 PM. |
#35
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Basically, everything Loreena McKennitt makes... Celtic/Arabian folk
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Serge |
#36
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Not sure if this fits but in the asian genre, a few soundtracks come to mind...
The Grandmaster - Shigeru Umebayashi The House of Flying Daggers - Shigeru Umebayashi Crouching Tiger, Hidden Dragon - Tan Dun Hero - Tan Dun
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Serge Last edited by Parabellum; 09-08-2020 at 10:44 PM. |
#37
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Another one I really like in the arabian folk, Déserts from Claire Gignac. Excellent recording.
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Serge |
#38
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Don’t know if it’s ok but I love this cd.
Stephen Micus : the Garden of Mirrors (ECM 1632) |
#39
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Armenian Music
ARPI |
#40
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Just streamed this. I like it! One of the guests, Claire Lefilliâtre, is one of my absolute favourite sopranos! This recording is a manifesto: modernism, culture, temporality, style, improvisation are all concepts with which Joël Grare plays, like a juggler. At a time of globalisation, of standardisation of cultures, this disc lets us hear the vision of the world of one man, at one given time. The Paris-Istambul-Shanghaï Ensemble (Chinese violin, theorbo, bass and percussions) forms the musical base of this invitation to travel. The guests, such as Claire Lefilliâtre, contribute their personnality by taking up the learned or popular themes. This "group", somewhere between a chamber music ensemble and a traditional one, plays standards like Jazzmen. Their standards? Magnificent themes stemming from Spain, Turkey, China, ancient music...Analysing these melodies well beyond their borders, thoroughly enjoying them to interpret them better, improvising, composing, whether or not in the style of their country or their period, following his mood, the taste of tea, the moment; welcome to the world of Joël Grare.
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