#11
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That said, I'll likely stick with 33s.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#12
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I have a slightly different take. I find that, rather than paying more attention to the music, the end of the short side breaks my focus on the music. A side that was meant to be listened to in its entirety is now interrupted, breaking my concentration and enjoyment. I agree there can be an improvement in sound quality, but for me it's not worth it because of the impact it has on the flow of the music and the listening experience.
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#13
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That's why I record my 45 double LP's to open reel. Sonic heaven.
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Paul Speakers: Von Schweikert VR-5 Anniversary MK II Front L/R, LCR-35 Center, VR-1 Rear L/R Sub: JL Audio F113 Amps: PS Audio BHK Signature 300 Mono, McIntosh MC207 Pre-Amp PS Audio BHK Signature and Gold Note PH-10 Phono Stage/PSU-10 Power Supply Turntable: VPI HR-X 12.7 TONEARM (2) and SDS, Stillpoints LPI Tape Deck Otari 5050B II2 Music Server: Aurender N100H Cartridges: Ortofon Cadenza Black, Lyra Helikon Mono Digital Source: Oppo UDP-205 DAC: Holo Audio Spring 3 KTE SSP: Marantz AV8801 Cables: Wireworld Electra 7 (P) Wireworld Silver Eclipse 7, Shunyata Delta NR (I) Wireworld Silver Eclipse 7 (S) Wireworld Platinum Starlight 7 (USB) AC Power Regeneration: PS Audio DirectStream P15 Power Plant and Shunyata Denali 6000s V2. |
#14
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So, I’m use to it and for me I listen closer, because I know I have to get up at a particular point and do the flip. IMO I’ve became a better listener because of it. I hear details that otherwise I may have missed. And I so enjoy those details. But I understand your point and so I have a lot of 33s as well and of course CDs and streaming …. but ultimately the 45s continue to impress and I get more than one song now!
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Jazz Junkie Magico M3s; Vitus Masterpiece Components; TechDAS Air Force One; 2 x SME 3012-R; Airtight Opus 1 and MSL Platinum Signature; Taiko Audio Extreme + Switch; Albedo Metamorphosis Signature cables. |
#15
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So, I’m use to it and for me I listen closer, because I know I have to get up at a particular point and do the flip. IMO I’ve became a better listener because of it. I hear details that otherwise I may have missed. And I so enjoy those details. But I understand your point and so I have a lot of 33s as well and of course CDs and streaming …. but ultimately the 45s continue to impress and I get more than one (two) song now!
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Jazz Junkie Magico M3s; Vitus Masterpiece Components; TechDAS Air Force One; 2 x SME 3012-R; Airtight Opus 1 and MSL Platinum Signature; Taiko Audio Extreme + Switch; Albedo Metamorphosis Signature cables. |
#16
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I'm not far behind you, I grew up in the 50s-60s, but I never got into singles, I came of age with LPs, so that may partly explain my aversion to the 45. I had to wait for the Beatles albums to play them on the Zenith console[emoji41].
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
#17
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Ditto, though we had a Magnavox.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#18
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Anyone know the provenance of the masters used to cut this new release? The original vinyl was mastered off of a 24/96 digital mix by Scott Hull. He’s mastering this 45 rpm re-issue as well but the Acoustic Sounds write up doesn’t mention the provenance of the master. I ask because there were also analog backups made.
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#19
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Vinyl newbie but Steely Dan fanatic here--I bought the UHQR Can't Buy a Thrill and Countdown to Ecstasy so I'd have them to demo my first turntable in 30 years--they are amazing!
One of the small frustrations of the true fanboy is that the original vinyl and their CD offshoots did not have adequate separation to capture the music's nuances. These are really the only versions outside of a concert venue that do the music justice--that allow you to hear everything. Will be purchasing all of the SD UHQR (now I just need storage room for the over the top packaging...) But I do not see post-listening opinions from other UHQR purchasers. I hope to hear from Freddie and others...
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T Last edited by PeterMusic; 01-08-2023 at 11:56 AM. |
#20
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