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#42
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-- You can have your eyes open, and look at your screen, but without directly looking at it;
more into a stance/trance of dreamlike contemplation. ...You know what I mean. And if you're starting to get bored, time to change the program. Last edited by LordoftheRingsEE; 03-27-2013 at 12:21 AM. |
#43
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#44
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-- When we go to a Classical music concert at a Hall, an Opera, a Ballet, a Symphony with full orchestra, Concertos, Chorales, Jazz concerts, Blues clubs, Folk coffee houses, ... the live event is always different; the musicians are, the Opera singers are, and our eyes are seeing not two of the same thing. ...And our ears are hearing not two of the same tune.
On a Blu-ray (music video concert); it is always the same (from the same BD), and the cameramen are showing us always the exact same thing; even the music is exactly the same. ...The musicians are the same, their positions on the stage are always the same, etc. A live musical event is completely different than watching a Blu-ray concert music video at home, from that same Blu-ray disc. ...No wonder that one's getting bored after his own limited while, at home. Perhaps what we really need and truly want is the direct audio and video feed of that live performance in our own homes, through fiber optic cables, and with holographic presence, from few very small projectors (four or six of them) right in our own living theater entertainment rooms. To be creative is to never get bored by constantly changing our habits. ...Physically in space, in time, and from different performances. ...For some of us that means never twice the same show (Blu-ray experience). Only when faced with the new that our senses can fully grasp those new musical emotions. The second time around is never at the same intensity level than the first time. But we have the power inside us to recreate, to renew the same performance from the power of our imagination and renewed creativity. Nothing is truly boring, only our own perception's presence in that moment in time and space. We are free to brake loose of our own slavery. ...By reinventing, and always reaching for newer horizons. ________________ Kal, what and who was playing at Carnegie Hall? Last edited by LordoftheRingsEE; 03-27-2013 at 04:21 AM. Reason: typo? :-D |
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Last evening, March 26 (Passover), at Carnegie Hall ::
---- The University of Kansas Wind Ensemble - A Benefit for the 9/11 Memorial
Program: 1. Mohammed Fairouz - In the Shadows of No Towers (World Premiere) 2. Philip Glass - Concerto Fantasy for Two Tympanists and Orchestra - Paul Popiel, Conductor - Gwendolyn Burgett and Ji Hye Jung, Timpani Last edited by LordoftheRingsEE; 03-27-2013 at 04:41 AM. Reason: title |
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So, to underline a point I raised earlier, I'm listening to a CD copy of Turandot that I downloaded to my Mac Mini music server. At the beginning of Act 1 it is riddled with drop outs that I can only assume are attributable to the software not handling gapless playback well. It's really annoying. That McIntosh MCD500 Mac Brown has for sale is looking good to me right now (I've got a PM in to him).
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