#1761
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Not sure what Twanny is awaiting but the phono pre prototype is still there and Dennis only referred to at as the prototype which is not ready for production yet.
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#1762
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An interesting note, most of our PTs are overstock Cary Rocket 88 PTs Dennis bought from Cary sometime after he left.
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#1763
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Not a phono stage as I don't do vinyl.
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#1764
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Hi All,
Admin approved my request and allowed me to change my user name to the same one I use on other forums in an effort to unify things on my end. Some of you may know me from other forums. I wonder how many LP-27a users have been running 56 tubes in their setup? What are your impressions? |
#1765
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I prefer the 27's but 56's are cheap so try a pair.
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#1766
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They're both reasonably cheap and fairly plentiful. When I spoke with Dennis early last week he said he prefers the 56.
Last edited by x3workshop; 06-16-2016 at 09:01 AM. |
#1767
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Quote:
Last edited by Musica Amantem; 06-16-2016 at 02:54 PM. |
#1768
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The 56 is slightly higher gain which may account for your impressions, but it is indeed a subjective preference.
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#1769
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What I meant by that is, independently of gain differences (something that can be adjusted for through the attenuator), to my ears and in my setup, the 56 sounds leaner (less warm) and with less body to the sound than the 27. Congested passages with multiple instruments' participation may benefit from this tube over the 27, other things being equal. Similarly, acoustic music with few instruments/voices may benefit from the 27 over 56, for the same reasons. Of course, these are not the only differences or characteristics in these different tubes, just the most relevant aspect to my ears. YMMV
Last edited by Musica Amantem; 06-16-2016 at 04:10 PM. |
#1770
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Quote:
Another topic of discussion was speakers. Very interesting though more that went right over my head. He went through some history of Soliloquy. He does seem to have the midas touch with regard to starting a business. We talked about the speakers he has there in his listening room. Open baffle designs which do have a unique soundstage. I was interested. The models there are no longer available for different reasons. It just so happens that a previous career of mine was in furniture making. With a source for the cabinet, me, he was intrigued by the idea of bringing something new to the world. We discussed a concept which of course I have been thinking about all week. In the end it was a project we were both interested in and he pointed out that if we were going to build 1 pair we might as well build 4. I like 5, I like prime numbers. I am back home now and as much as the whole concept of designing and building a speaker with the DENNIS HAD is something that seemed such a sure thing less than a week ago, it now seems a little far fetched. I am going to pursue it as time allows. I have 2 young boys, a wife, family and a business to run. I still plan to make time and see what happens. If it develops into something I would plan to start a thread on the project. I'll keep you all posted if things progress. As you all can probable tell, I had a wonderful time. We discussed many things more than I can recall and/or relay here. Due to life's busyness it took me a year to make it to visit Dennis since he first suggested it 'if I was in the area'. I hope it is not another year before I can make it happen again. I highly recommend if any of you are ever in the Raleigh, NC area you get in touch with Dennis and go see him. As I said when I started this recap, he is a great guy. Of course he is also a legend. I am honored to have had the opportunity to own his equipment and, now, to have spent some time with him in person. Thanks for letting me share. Scott Bartholomew Asheville, NC |
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