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Conrad-Johnson It just sounds right |
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#11
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How would you describe the difference between the SE and the non-SE soundwise?
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#12
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My dealer didn't have the SE for audition, unfortunately.
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#13
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The non-SE of more traditional CJ sound, warmer with slightly roled off top and bottom. Still very detailed and transparent. The SE version is still more detailed with crystal clear highs and very accurate and impactful lows. Transparency and presence take a step forward as well. The SE can compete with the best based on my experience.
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#14
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Quote:
Second of all, a reviewer should be impartial. There's no perfect piece of equipment and what compromises you can live with, might not be to my taste. The reviewers job should be to paint a picture for the reader of the sound, of both the strength and weaknesses of the component as they hear it, without their prejudices showing. (I walk away from way too many reviews not knowing what the component sounds like--esp. since there's often no musical examples given for me to check their opinions). Then it's up to the reader to decide whether or not it's worth listening to or investigating. Two reviewers who was very good at that were Dave Wilson and John Nork. So just because I like a component doesn't mean that I would necessarily buy it for my system. On top of that, then you'd have people critizing reviewers then for changing their equipment like underwear.
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Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms. |
#15
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Quote:
Welcome aboard Myles. |
#16
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Welcome, Myles. Good to see you here.
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Jim Bedroom: Aurender N150, Bryston BDA-3, EMIA Cu Elmaformer passive line stage, conrad-johnson MF2500, Paradigm Studio 20 v5. Shunyata Delta D6, Altaira CG hub. Shunyata Alpha XC, Delta NR v2, Alpha USB, Alpha and Venom CGC/SGC. Wireworld Eclipse 8 interconnect & speaker cables. Stillpoints footers, Butcher Block Acoustics maple platforms. Stillpoints and GIK acoustic panels. Home Office:Windows 11 PC/JRiver 31, TEAC UD-505 AKM version, Luminous Audio Technology Axiom II Walker Mod passive, conrad-johnson Sonographe SA-250, Paradigm SE-1. Shunyata Hydra (Original Version), Venom 10 NR. Wireworld Eclipse 7 interconnects. Blue Jeans speaker cable. Living-Dining Room: Windows 11 Laptop/JRiver 29, Oppo BD-83, TEAC UD-501 DAC, SOTA Sapphire TT, Graham Slee Era Gold V, Ortofon 2M Black, McIntosh MR-77, c-j Sonographe SC-25, c-j MF2500, Paradigm SE-3. Wireworld 8 IC, Blue Jeans SC. Shunyata Hydra 8 v.2, Shunyata Delta NR, Venom NR. GIK 244 bass & scatter-plate panels. |
#17
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Welcome to AA Myles . Nice to have you hear
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#18
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Thanks fellas for the warm welcome. Looking foward to contributing to AA
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Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms. |
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