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Shunyata Research Designing Silent Systems for recording, film and music |
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#11
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#12
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There is only one way to get low frequencies on one pair of wires and high frequencies on a second pair of wires. It is called bi-amping. This requires the use of an external crossover before the amplifiers. Bi-amping has its issues as well, but my point here is that bi-wiring is in no way an alternative for bi-amping. In my humble opinion, bi-wiring is a placebo.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A Last edited by jdandy; 10-14-2013 at 03:08 PM. |
#13
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cg
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Caelin Gabriel President Shunyata Research |
#14
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It seems to me that we are living in the "misinformation age" As usual it is threads like this that prove this forum to be indispensable and well worth being a subscriber. Thank you for taking the time to respond CGabriel (and others)!
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Speaker system: Rogue Audio Athena, Rogue Audio M-180's, Nola KO, VPI Classic 3, Rogue Audio Ares, Esoteric K-05, OPPO 105. HeadFi system: Woo Audio WA6-LE, Grado PS500, Logitech Squeezebox Touch, Schiit Bifrost. |
#15
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+ 2. In fact I just went back and edited my earlier post after realizing I got some of my facts wrong
Last edited by Bodhisattva; 10-14-2013 at 06:47 PM. |
#16
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I don't think it is a placebo, but, rather, the benefits, if any, are marginal. The question is whether any improvements are worth the outlay, especially if using relatively good/expensive cable.
What started this discussion was a thread on another site where the benefits of upgrading the stock jumpes on a speaker was being discussed. That bought bi-wiring into the discussion since you can think of bi-wiring as another form of jumpers. Some people liked it, others felt there was no benefit. Sort of sounds like most cable threads. I guess I will continue saving towards my Typhon purchase, although I bet some, but not here, will say that is also a placebo.
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Bud |
#17
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For those of you who bi-amp, do you run your speaker wires completely separated or do you physically cross one wire over the other once (like an X)? I know signal and power wires should cross at 90 degree angles (if they have to cross at all) and many people say to separate your wires as much as possible but; years ago I was told that when running bi-amped with separate speaker wires always run them across one another once between the speaker and amp. I think they said that running them completely parallel between the speaker and amp wouldn't sound as good. Maybe this was only true for poorly shielded wire or it's not true at all? |
#18
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#19
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This is an interesting thread as bi-wiring has always been a contentious topic. It is interesting that some of the cable manufacturers mentioned in this thread do offer bi-wire termination options. One of those respected brands is also sponsored here & offers their bi-wire cable for basically the same price as their standard termination option.
So in that scenario where the alternative requires jumpers, the solution offering is indeed a lower cost option! So it is not necessarily about selling more cable or selling an option for a higher price. Now we are talking about premium cable that is multi-core with complex windings to begin with. I am not sure whether or not there is twice as much metal or "cores" in that chord winding though & I am seeking confirmation on this. Given the published specs, it looks as if the cores are split out further in some ratio. So if a loudspeaker manufacturer recommends bi-wiring as opposed to post shorting or jumpers, wouldn't the "Platinum" bi-wire cable option be the better choice as opposed to the standard offering plus jumpers? Last edited by MyPal; 10-15-2013 at 06:20 AM. |
#20
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With some bi-wire pairs of speaker cable, the regular number of conductors across the wire is reduced. For example, Kimber 12TC has 12 conductors for each terminal in its regular configuration, but the bi-wire version divides that so there are 8 conductors for the low frequencies and 4 for the mids/highs. I prefer two full runs over bi-wire runs.
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SOTA, Grado, SME, Van den Hul, Gingko turntable setup; Pioneer Elite LD, BDP; Sony OLED TV; Magnum Dynalab tuner, antenna; MIT S-video cable; Pangea HDMI cables; DVDO video processor; McIntosh SACD, preamp, power amps; Telefunken Black Diamond preamp tubes; Kimber IC; Transparent IC, PC, SC; Mirage speakers; PS Audio, Shunyata PC; Audio Additives RCA caps; Furman power conditioning; Sanus: racks |
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