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Audio Research State of the Art Audio Reproduction |
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#31
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I am all for ARC success. In my mind it is the reference brand for American tube gear. Not Mac, because Mac essentially gave up on tubes years ago. Mac only occassionally brought out a tube amp but SS was their bread and butter. Then Mac saw the opportunity to jump back into tubes, make a lot of money, and took it. ARC has mostly remained faithful but has on occasion built SS gear without much success.
I will say this about AA. When I first joined years ago there was a lot of Mac bashing that I did not appreciate at all. Using expressions like "blew the Mac away" or "I would prefer any ...... over any Mac" is offensive to me and simply untrue. Etiquette and sensitivity is vitally important and AA has evolved into a forum that respects other's gear. Of course there are those that still make blanket, rash, all encompassing comparisons. I love my 3500's and wouldn't trade them for any other amp, period. But in making this statement, I totally respect that you are free to make the same statement about your Accuphase, Dag, or ARC, or any of your gear and everybody understands this is purely personal opinion. No one is offended. I also got very tired of hearing how folks were able to take 30K of super expensive gear into their home and "audition" it. Well that may be so, but the gear is not even on the level of a demo anymore, when returned, IMO. Demos are supposed to stay in house on the shelf with full warranty. It is a used piece if it goes to a house. Certainly, you may have that very special relationship with your dealer including Ivan, but he or she better not sell it to me as new out of the box straight from the factory without full disclosure that it has been auditioned in someone's home for an extended period of time. This happens less frequently now on AA. AA has evolved into a high end forum that I really enjoy because serious discussions take place on a high level without offense 99% of the time. Best Charles
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__________________________________________________ _ Charles Updated System: Wilson McIntosh Audioquest New gear on order: Most recent updates: Latest is the last one posted: AQ Diamond USB replaces AQ Coffee; Wilson Audio Specialties Alexx replaced by Wilson Audio Specialties XVX Chronosonic; new subwoofer crossover; new Galaxy Grey Thors Hammer; Wilson Pedestals; heating and cooling completely reworked and reinsulated resulting in a much quieter, cooler, and more efficient room (cost about 10,000.00). McIntosh MCT 500 SACD/CD transport; Wilson Audio Acoustic Diode for XVX Chronosonic; WEL Signature digital Coaxial cable for MVP 881/D1100 digital connection replacing the optical connection; New plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; Thor is now off my floor; MC3500MKII mono block amps (2) and two custom granite slabs; Wilson ActivXO Stereo Electronic Crossover; new 75-ohm multi-directional FM antenna for tuner Amps: McIntosh MC3500MKII mono blocks (2), McIntosh MC1.25KW’s (3). All amps set on floor on custom made granite slabs Preamp and DAC: McIntosh D1100 Sources: McIntosh MCT500 SACD/CD Transport, MVP881 BR player, MVP851 DVD player, MR87 tuner, Marantz 510LV Laser Disc player, ASUS laptop USB (JRiver Media Center 23) Speakers: Wilson Audio Specialties XVX Chronosonic; custom made Wilson Acoustic Diodes Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1) horizontal lie; custom plinth of X material with Wilson Acoustic Diode feet; Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables and balanced IC (preamp to amps); WEL Signature AES/EBU balanced digital IC for CD playback; WEL Signature digital coaxial cable for MVP 881/D1100 digital connection; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; McIntosh MCT cable for SACD playback; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC from ActivXO crossover to amp; Wind balanced IC from preamp to ActivXO; Hurricane HC (2) and Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines with no. 10 wire straight out of fuse box Isolation: Wilson Pedestals for D1100; MVP881 BR player; MCT500 transport; MR87 tuner; plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes Cabinet: Double Custom Woodwork & Design (CWD) solid walnut cabinet on large casters; holds all sources and preamp; also, Niagara 7000; 11 feet minimum distance from speakers Acoustic Treatments: Room and Echo Tunes AC: Dedicated to this room only, an ultra-high efficiency and quiet recently installed Ruud split system 3-ton heat pump. Last edited by Charles; 07-20-2023 at 02:08 PM. |
#32
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Sigma & Alpha v2 |
#33
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The post would go, "I absolutely loved my Mac but when I got my ..... and auditioned it in my system, it blew the Mac away....." And so on. I've been around the block. Take a new upgraded Momentum power amp. It might take me months to truly discover how much better it was over my 3500. Initial impressions are most of the time incorrect. It takes many weeks to discover the nuances between excellent gear. In addition, there's the system itself and the compatibility of the pre/power amp with each other. I would never and I mean never mix Mac tube and Dag SS. Now it might turn out great but for me a non starter. If I went with Dag it would mean a redo of my entire system in order to discover, just how much better Dag was over what I have. So IMO dropping a piece of gear into a well thought out system will take weeks if not months and will certainly not "blow the Mac away". I got very tired of this language and fortunately it happens infrequently. Hyperbole trashing a manufacturer or a piece of gear is offensive to the owners of the gear. On AA for the most part folks have learned to express opinions delicately yet forcefully. Best Charles p.s When I first heard my XVX I was very impressed. But I was very careful not to say the XVX absolutely blew my Alexx away. First of all, it didn't but even if it did I would never say it. Same goes for my 3500 vs my I.25 KW's. Now I significantly prefer my 3500's but they didn't trash my 1.25's. In fact I could see how another might prefer it over the sound of my 3500. I personally believe that ARC makes the best tube gear. If you want the absolute buy the big 16 tube mono block. It's the reference standard. If you want possibly the very best SS buy the new Dag Momentum. Will either one "blow my 3500 away"? Absolutely not. Would I swap out my 3500 for either gear, no, would even think about it. And these are only my humble opinions. All I'm trying to say, is if you really are "blown away", it's ok to express your opinion tactfully but forcefully on AA, but don't offend your buddies.
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__________________________________________________ _ Charles Updated System: Wilson McIntosh Audioquest New gear on order: Most recent updates: Latest is the last one posted: AQ Diamond USB replaces AQ Coffee; Wilson Audio Specialties Alexx replaced by Wilson Audio Specialties XVX Chronosonic; new subwoofer crossover; new Galaxy Grey Thors Hammer; Wilson Pedestals; heating and cooling completely reworked and reinsulated resulting in a much quieter, cooler, and more efficient room (cost about 10,000.00). McIntosh MCT 500 SACD/CD transport; Wilson Audio Acoustic Diode for XVX Chronosonic; WEL Signature digital Coaxial cable for MVP 881/D1100 digital connection replacing the optical connection; New plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; Thor is now off my floor; MC3500MKII mono block amps (2) and two custom granite slabs; Wilson ActivXO Stereo Electronic Crossover; new 75-ohm multi-directional FM antenna for tuner Amps: McIntosh MC3500MKII mono blocks (2), McIntosh MC1.25KW’s (3). All amps set on floor on custom made granite slabs Preamp and DAC: McIntosh D1100 Sources: McIntosh MCT500 SACD/CD Transport, MVP881 BR player, MVP851 DVD player, MR87 tuner, Marantz 510LV Laser Disc player, ASUS laptop USB (JRiver Media Center 23) Speakers: Wilson Audio Specialties XVX Chronosonic; custom made Wilson Acoustic Diodes Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1) horizontal lie; custom plinth of X material with Wilson Acoustic Diode feet; Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables and balanced IC (preamp to amps); WEL Signature AES/EBU balanced digital IC for CD playback; WEL Signature digital coaxial cable for MVP 881/D1100 digital connection; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; McIntosh MCT cable for SACD playback; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC from ActivXO crossover to amp; Wind balanced IC from preamp to ActivXO; Hurricane HC (2) and Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines with no. 10 wire straight out of fuse box Isolation: Wilson Pedestals for D1100; MVP881 BR player; MCT500 transport; MR87 tuner; plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes Cabinet: Double Custom Woodwork & Design (CWD) solid walnut cabinet on large casters; holds all sources and preamp; also, Niagara 7000; 11 feet minimum distance from speakers Acoustic Treatments: Room and Echo Tunes AC: Dedicated to this room only, an ultra-high efficiency and quiet recently installed Ruud split system 3-ton heat pump. Last edited by Charles; 07-21-2023 at 12:48 PM. |
#34
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Charles, with all due respect, I think you are conflating a couple of different issues. Manners are very important, and I would certainly not want to be disrespectful. Home trials OTOH are an absolute must wherever possible. They are probably not possible at the level of Charles's system or other very low volume gear, or if you do not have a local dealer. But I've had home demos of most of the stuff I own. More importantly, I've had home demos of an equal(?) number of products that did not work for me after the high quality extended listening that is only possible at home
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
#35
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If you can swing in home demos lasting weeks, I have no problem with it and do not doubt your veracity. I am not conflating the two issues. They are separate issues, both of which occur less frequently on AA. Can you imagine Wilson's or my dealer's response to "I'm sorry, my XVX is not working out. The measurements we made were incorrect. The sound is not as good as my Alexx. I need to return it for a refund." Again, I've been around the block and have bought numerous gear from multiple dealers. The only piece that I can remember was an audition of an XRT28 which I liked but the XRT30 which I bought based on my in home audition of XRT28 had a harsh bright midrange (to my ears) that I could not tame. You all seem to uniformly skirt the fact that a demo stays in house and except for it being turned off and on and used to demo other in house gear, has been handled only by employees of the dealer. If a dealer allows it out of the store, forget it, I wouldn't have it in my system as it has become a used piece, unless I am made aware of it before I bought it. If a dealer has a source or sources that will buy "demos" under these circumstances, then in home auditions are certainly preferable if you have the time. ![]()
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__________________________________________________ _ Charles Updated System: Wilson McIntosh Audioquest New gear on order: Most recent updates: Latest is the last one posted: AQ Diamond USB replaces AQ Coffee; Wilson Audio Specialties Alexx replaced by Wilson Audio Specialties XVX Chronosonic; new subwoofer crossover; new Galaxy Grey Thors Hammer; Wilson Pedestals; heating and cooling completely reworked and reinsulated resulting in a much quieter, cooler, and more efficient room (cost about 10,000.00). McIntosh MCT 500 SACD/CD transport; Wilson Audio Acoustic Diode for XVX Chronosonic; WEL Signature digital Coaxial cable for MVP 881/D1100 digital connection replacing the optical connection; New plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; Thor is now off my floor; MC3500MKII mono block amps (2) and two custom granite slabs; Wilson ActivXO Stereo Electronic Crossover; new 75-ohm multi-directional FM antenna for tuner Amps: McIntosh MC3500MKII mono blocks (2), McIntosh MC1.25KW’s (3). All amps set on floor on custom made granite slabs Preamp and DAC: McIntosh D1100 Sources: McIntosh MCT500 SACD/CD Transport, MVP881 BR player, MVP851 DVD player, MR87 tuner, Marantz 510LV Laser Disc player, ASUS laptop USB (JRiver Media Center 23) Speakers: Wilson Audio Specialties XVX Chronosonic; custom made Wilson Acoustic Diodes Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1) horizontal lie; custom plinth of X material with Wilson Acoustic Diode feet; Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables and balanced IC (preamp to amps); WEL Signature AES/EBU balanced digital IC for CD playback; WEL Signature digital coaxial cable for MVP 881/D1100 digital connection; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; McIntosh MCT cable for SACD playback; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC from ActivXO crossover to amp; Wind balanced IC from preamp to ActivXO; Hurricane HC (2) and Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines with no. 10 wire straight out of fuse box Isolation: Wilson Pedestals for D1100; MVP881 BR player; MCT500 transport; MR87 tuner; plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes Cabinet: Double Custom Woodwork & Design (CWD) solid walnut cabinet on large casters; holds all sources and preamp; also, Niagara 7000; 11 feet minimum distance from speakers Acoustic Treatments: Room and Echo Tunes AC: Dedicated to this room only, an ultra-high efficiency and quiet recently installed Ruud split system 3-ton heat pump. |
#36
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There is a new header on the TAS website: Find out why ARC is better than ever. I thought this was very promising and I clicked it to discover a non updated website. Not sure I understand the strategy.
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Wilson Alexia V; ARC Ref 6SE; ARC Ref Phono 3SE; Boulder 1160; Esoteric K1X; Artisan Fidelity Garrard 301 Statement; Ikeda 407; Koetsu Leopard, Coralstone; Shunyata Denali 6000T; Shunyata AC cables; Siltech Prince speaker cables; Siltech Princess interconnects, Avondale II phono. |
#37
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#38
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There's a new interview with Valerio Acora, the new owner of Audio Research, on youtube that I found really interesting. It gives some insight into the company going forward and more importantly, the new leader of ARC.
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Wilson DAW, ARC 160M Mk 2, 250SE, Ref 6SE, Ref 3SE, CD9SE, VPI TNT6 w/rim drive, 12" Fatboy/3D/12.7, LP1 clamp, Lyra Etna Lambda SL, Kleos, Koetsu Vermillion, TA Gen 5 Reference cables, Shunyata Triton 2, Typhon, Denali 2000T, Etron Alpha PCs, Furutech NCF on 3 dedicated lines. Home Theater: Stewart 123" Firehawk, JVC RS-500, Panasonic 4K player, Marantz 8802a, Wilson Center3+surrounds, GoldenEar HTR7000, JL f113, Parasound A51 and Krell 250a/3. |
#39
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I am confused by your response. I specifically said I do not think a system at your level would be available for demo. You mention weight, but I was thinking cost--I can't imagine many dealers being able to afford your speakers. So no, I would not expect you to have demoed (and I'm certain your system would leave me speechless with joy and amazement). I did not mean to skirt the other issue of how a "demo" system might be defined and/or sold later. I just think it is a separate topic from whether a person should insist on a demo on components where a demo makes sense. I trust that when my dealer sells a piece of used gear, it is at a fair price relative to its usage, and I would only shop/demo with a dealer I did trust. Best Peter
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
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