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Audio Research State of the Art Audio Reproduction |
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#41
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You and I simply have a basic disagreement about the above. There are all kinds of things that can happen to gear while in a home, anybody's home, that may or may not be reported to the dealer. It is a fact that the more expensive the gear the more likely it is to malfunction. If I buy a piece of expensive gear and it has problems after the sale, I want to know that it is not the result of mishandling or abuse. Of course the dealer should take care of it, if he wants your future business, but if I bought the gear under the circumstances you described above, there would always be that concern in my mind. If the gear is a lemon, I want to know it and not the result of abuse. For example, if I'm a dealer selling Mac, my C12000/MCD12000 combo won't leave my store under any circumstances. I'll sell it to someone else, not you. You must get in line to purchase one and if you want one, I'll order you one after you pay for it. That's the way my dealer works and frankly all the dealers I have worked with over the years. All the Wilson speakers (Maxx3, Alexx, XVX) I have purchased were paid for long before they arrived in my home. Ditto for my Mac gear. I recently purchased a bevy of Wilson Pedestals to place under my 3500's. They have been paid for. They are coming tomorrow to install them. Recently my dealer sold an Alexx V and a C-12000/MCD12000. It would be unthinkable for the buyer to request an in home one month demo before paying for gear like this. Mac demands that the gear is paid for before they will fill the order. So does Wilson. My hope when I make a purchase is that the gear arrives in perfect condition direct from the factory with no obvious damage, when it arrives at my home unopened direct from the factory. ![]() Best Charles p.s. And that the gear will perform perfectly until it trade it in.
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__________________________________________________ _ Charles Updated System: Wilson McIntosh Audioquest New gear on order: Most recent updates: Latest is the last one posted: AQ Diamond USB replaces AQ Coffee; Wilson Audio Specialties Alexx replaced by Wilson Audio Specialties XVX Chronosonic; new subwoofer crossover; new Galaxy Grey Thors Hammer; Wilson Pedestals; heating and cooling completely reworked and reinsulated resulting in a much quieter, cooler, and more efficient room (cost about 10,000.00). McIntosh MCT 500 SACD/CD transport; Wilson Audio Acoustic Diode for XVX Chronosonic; WEL Signature digital Coaxial cable for MVP 881/D1100 digital connection replacing the optical connection; New plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes; Thor is now off my floor; MC3500MKII mono block amps (2) and two custom granite slabs; Wilson ActivXO Stereo Electronic Crossover; new 75-ohm multi-directional FM antenna for tuner Amps: McIntosh MC3500MKII mono blocks (2), McIntosh MC1.25KW’s (3). All amps set on floor on custom made granite slabs Preamp and DAC: McIntosh D1100 Sources: McIntosh MCT500 SACD/CD Transport, MVP881 BR player, MVP851 DVD player, MR87 tuner, Marantz 510LV Laser Disc player, ASUS laptop USB (JRiver Media Center 23) Speakers: Wilson Audio Specialties XVX Chronosonic; custom made Wilson Acoustic Diodes Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1) horizontal lie; custom plinth of X material with Wilson Acoustic Diode feet; Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables and balanced IC (preamp to amps); WEL Signature AES/EBU balanced digital IC for CD playback; WEL Signature digital coaxial cable for MVP 881/D1100 digital connection; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; McIntosh MCT cable for SACD playback; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC from ActivXO crossover to amp; Wind balanced IC from preamp to ActivXO; Hurricane HC (2) and Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines with no. 10 wire straight out of fuse box Isolation: Wilson Pedestals for D1100; MVP881 BR player; MCT500 transport; MR87 tuner; plinth for Thor subwoofer made of X material with the Wilson Acoustic Diodes Cabinet: Double Custom Woodwork & Design (CWD) solid walnut cabinet on large casters; holds all sources and preamp; also, Niagara 7000; 11 feet minimum distance from speakers Acoustic Treatments: Room and Echo Tunes AC: Dedicated to this room only, an ultra-high efficiency and quiet recently installed Ruud split system 3-ton heat pump. Last edited by Charles; 09-28-2023 at 12:38 PM. |
#42
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Trying to get this thread back on track: does anyone have any information on service turnaround times at ARC? It had been around six months for non-warranty service, but I'm hoping that things are headed in the right direction after the company's sale. Cleaning up the backlog would be a definitive sign that ARC is on the road to normalcy again.
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Primary sources: VPI TNT III/SDS turntable, SME-V arm; Bryston BDP-3 digital player; Bryston BDA-3 DAC; McIntosh MVP-881 disc player; McIntosh MR-80 tuner. Preamplifier Audio Research Ref 5SE; Audio Research Ref Phono 2SE; Moon 430 HA. Amplifiers Conrad Johnson Premier 1B; Audio Research D-300; Bryston 4B. Speakers Infinity IRS Beta. Recorders Tandberg TD20A; Crown SX-822; Nakamichi 670ZX; Alesis Masterlink ML-9600. Power Tice Power Block/Titan (x2); McIntosh MPC1500; API Ultra II-20; multiple 20A derated dedicated lines. |
#43
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Hey folks, could you please take your discussion about demo products to another thread? This thread is: " ARC: Out of receivership."
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Primary sources: VPI TNT III/SDS turntable, SME-V arm; Bryston BDP-3 digital player; Bryston BDA-3 DAC; McIntosh MVP-881 disc player; McIntosh MR-80 tuner. Preamplifier Audio Research Ref 5SE; Audio Research Ref Phono 2SE; Moon 430 HA. Amplifiers Conrad Johnson Premier 1B; Audio Research D-300; Bryston 4B. Speakers Infinity IRS Beta. Recorders Tandberg TD20A; Crown SX-822; Nakamichi 670ZX; Alesis Masterlink ML-9600. Power Tice Power Block/Titan (x2); McIntosh MPC1500; API Ultra II-20; multiple 20A derated dedicated lines. |
#44
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Yes, my apologies. Off-topic posts deleted.
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Sigma & Alpha v2 Last edited by Antonmb; 09-28-2023 at 07:26 PM. |
#45
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Front page of ARC website. If they can deliver the REF 320Ms this year, that would be a great sign under new ownership!
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Main System: Sf Amati Tradition, B&W DB1 sub, McIntosh C2300, MC501s, MA12000, MCD500, HiFi Rose RS150B, Oppo 105, Niagara 5000, AQ Tornado/Thunder/Blizzard PCs, Robin Hood BiWire (zero+bass), Gibraltar SCs, Water ICs, Cinnamon RJ/E, Solidsteel HF-3 racks. 2nd System: Sf Cremona Auditor M, McIntosh C50, MC275(VI), MA6600, Node 2i, Oppo 95, AQ NRG-4 PCs, Robin Hood Zero SC, Cobra/Nordost Heimdall ICs. |
#46
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Great looking gear, though I'm not a fan of their tube choices these days (6N30, KT90/120/150, etc.). Very little tube choice with new ARC gear. I wish them the best of luck.
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Glenn... Clearaudio SM Pro Devore 0/93 Denon DP-80 w/AT33R, Benz Glider, Ortofon Cdza Blk & K-b Dual 701 w/AT-VM740ML, AT-MONO3/LP & Ortofon OM30 Focal Bathys Grado GW100V2 Jelco HS-25 McIntosh C22 MkV & MC275 MkVI Nordost Valhalla Oppo 203 Orsonic AV-1b Shanling M3s Shure M97xE Sony ST-J75, ST-A6B, TA-F6B & PS-X75 Sorane SA1-2B Stax UA-7/CF Stillpoints LP1v2 WW Pt, Au & Ag Eclipse 8/7 Yamamoto HS-2 & 4 Yamaha T-2 |
#47
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Agreed - new product would be a good indicator. How about a new Ref DAC?
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Primary sources: VPI TNT III/SDS turntable, SME-V arm; Bryston BDP-3 digital player; Bryston BDA-3 DAC; McIntosh MVP-881 disc player; McIntosh MR-80 tuner. Preamplifier Audio Research Ref 5SE; Audio Research Ref Phono 2SE; Moon 430 HA. Amplifiers Conrad Johnson Premier 1B; Audio Research D-300; Bryston 4B. Speakers Infinity IRS Beta. Recorders Tandberg TD20A; Crown SX-822; Nakamichi 670ZX; Alesis Masterlink ML-9600. Power Tice Power Block/Titan (x2); McIntosh MPC1500; API Ultra II-20; multiple 20A derated dedicated lines. |
#48
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The last ARC DAC 9 was released sometime in 2016, a new release would be definitely exciting! Fingers crossed for great things to come from the new ARC.
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Main System: Sf Amati Tradition, B&W DB1 sub, McIntosh C2300, MC501s, MA12000, MCD500, HiFi Rose RS150B, Oppo 105, Niagara 5000, AQ Tornado/Thunder/Blizzard PCs, Robin Hood BiWire (zero+bass), Gibraltar SCs, Water ICs, Cinnamon RJ/E, Solidsteel HF-3 racks. 2nd System: Sf Cremona Auditor M, McIntosh C50, MC275(VI), MA6600, Node 2i, Oppo 95, AQ NRG-4 PCs, Robin Hood Zero SC, Cobra/Nordost Heimdall ICs. |
#49
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I believe that 320M information has been there since 5/22, it’s not new.
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Wilson Alexia V; ARC Ref 6SE; ARC Ref Phono 3SE; Boulder 1160; Esoteric K1X; Artisan Fidelity Garrard 301 Statement; Ikeda 407; Koetsu Leopard, Coralstone; Shunyata Denali 6000T; Shunyata AC cables; Siltech Prince speaker cables; Siltech Princess interconnects, Avondale II phono. |
#50
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When I had my Ref 160 monos upgraded to 160Ms shortly after ARC came out of receivership, it took about 2 weeks for the upgrade from the date of my delivery.
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Wilson Alexia 2, ARC Ref 160M,Ref 40,Ref Phono2SE, Shunyata Triton3, Typhon, Sigma PCs, ICs & SCs, Spectral SDR4000SV (w MIT IC), Belcanto PL1, Oppo 205, Marantz 2270 (tuner only):AudioDesk and VPI record cleaners, Furutech Demag & Destat; Stillpoint Apertures, TechDas AF 3S Premium with SAT CF9 and Kuzma 4pt arms, Lyra Atlas Lambda SL, Dynavector XV1-t stereo and XV1-s mono carts, Miyajima mono, Shure V15VxMR, |
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