#21
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Quote:
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AudioNet-Pre G2/MAX, YG Sonja, JL F112v2, Kubala Sosna |
#22
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#23
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Moreover the bass changes a lot with various amplifiers. Which amp did you use ?
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#24
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Manley Snapper monoblocks, Spectron musician III se stereo, Bryston monoblocks, and the only one that controlled them (even though least power), BAT REX stereo tube amp. Bat REX preamp or BAT SS VK42se all here at same time or close to same time. I sold them once the YG Carmels hit the room at same time. Guy who bought them sold the 40.1s pretty quick too. Glad others had good luck with them. I bought mine new and consider them top $$$ for performance mistake I've bought in my many years of audio. Love the 30.1s, and super shl5s. But the 40.1s were a real heart breaker for me.
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AudioNet-Pre G2/MAX, YG Sonja, JL F112v2, Kubala Sosna |
#25
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Which stands did you use ?
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#26
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Cant remember the first I tried. they were thin four leg stands. Did not like them at all. Then bought the four leg sound anchors made for the Harbeth. Better, but $$$ for not enough improvement. I wanted to love those speakers so bad. cost me $$$$ to move on.
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AudioNet-Pre G2/MAX, YG Sonja, JL F112v2, Kubala Sosna |
#27
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I use Pro Audio Bono feet between stands and floor and between speakers and stands. Without them, I cannot go above 65 dB and get a clear bass. With them, the bass is super deep and tight and clean even at 105 dB.
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#28
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Harbeth M40.2...the biggest leap forward in sonic supremacy...takes the Harbeth sound to a new level...far beyond conventional loudspeaker listening.
Really? "...but what is a “better” loudspeaker? The standard model, employing forward-firing dynamic drivers with a passive crossover in a closed box, has been refined to the point where further improvements are most unlikely. There are small ones and big ones, simple ones and elaborate ones, $600 ones and $45,000 ones, but if they are correctly designed (admittedly not always the case), the sound will always be of the same general quality—wide-range, smooth, effortless, but not quite real, with a slightly closed-down, boxy characteristic that says: loudspeaker, not live. There’s a ceiling in performance with this type of loudspeaker, maybe at three or four thousand dollars, above which you get very little, if anything, regardless of the hyperbolic claims and insane prices of some ultrahigh-end models. I have revived the old-time “monkey coffin” label, used by 1970s hi-fi salesmen, for this category of box speakers. There are dinky little monkey coffins and huge expensive monkey coffins, but they all sound like monkey coffins, more or less..." Don't waste your money on the M40.2! Last edited by Chenkong; 09-21-2015 at 10:48 PM. Reason: To add a phrase |
#29
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Chenkong, welcome aboard!
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#30
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