#71
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Are the 3500’s REALLY worth ~$5,000 more than a pair of 1.25kw’s (or new pair of 2301’s)? I know these are completely different animals, but from a pure economics standpoint, I’m scratching my head.
While the new 3500 is absolutely gorgeous, I’m struggling with the $5,000 premium. Hmmm….
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McIntosh Labs |
#72
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
#73
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The Woodstock premium . Last edited by JBT; 12-23-2021 at 11:19 AM. |
#74
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Can't imagine why they designed the amp around a single-source tube. Same with the 6H30 used by AR and a couple of others. Hope they have tons of supply on the shelf.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#75
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Seriously--an extra $5K in this context--price bump 15% or so to go from SS to tubes seems completely normal. A tube amp buyer pays this every time, right? On "pure economics"--I have 2 amp set ups--an NAD C326BEE that costs about $500 for 50W of SS in an A/B design. The sound is WAY better than the amps of (almost) all of my friends' music systems. And I have a C22/MC275 combo on which just the interconnects between them cost $850, and the whole combo is ~25X the price of the NAD. Yet if I lost both systems, I would replace the McIntoshes with a phone call...or I'd move up to the MC1502. ROFL...at myself Go buy those big boys so I can enjoy them vicariously!
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
#76
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Joe Great Room: 2 Channel System Amplifier: McIntosh MC312 Preamp: McIntosh C22 Mk V (Gold Lion Tubes) DAC/CD/SACD: McIntosh MCD12000 Streaming Source: Aurender N10; UpTone Audio EtherREGEN Switch; AfterDark Project Clayx Giesemann OCXO 10MHz Reference Queen Master Clock w/ Black Modernize LPS x 2 Giesemann OCXO 10M Edition Speakers: Canton Reference 3K Power: 2x Dedicated 20 Amp Breakers + Whole House Surge Protection Power Outlets: PS Audio Power Ports Power Resonators: ADD-Powr Sorcer x4 (at service panel); ADD-Powr Wizard; ADD-Powr eau2; ADD-Powr Symphony (in network closet) Power Distribution: Shunyata Denali 6000/S v2 Power Cables: Shunyata Delta v2 XC (Denali v2 to dedicated 20A Outlet); Shunyata Venom NR v10 (Amp to Denali v2); Shunyata Delta v2 NR (Preamp to Denali v2); Shunyata Alpha v2 NR (DAC to Denali v2); Shunyata Venom NR v12 (Wizard to dedicated 20A Outlet); Shunyata Venom V14 Digital (Streamer and Master Clock LPS to Denali v2) Speaker Cables: Shunyata Sigma v1; Shunyata Sigma v1 Jumpers Audio Cables: Wireworld Silver Eclipse 8 XLR (Preamp to Amp); Wireworld Gold Eclipse 8 XLR (DAC Tube and Solid State Outputs to Preamp); Shunyata Sigma USB (Streamer to DAC); Shunyata Sigma v2 AES/EBU (Streamer to DAC); Shunyata Venom Ethernet (Wall Wart to EtherREGEN); Shunyata Sigma Ethernet (EtherREGEN to Streamer); Wireworld Platinum Starlight 8 75-Ohm BNC (AfterDark Queen Master Clock to EtherREGEN); Wireworld Platinum Starlight 7 S/PDIF (Streamer to DAC) Isolation: Stillpoints Ultra SS (Under Speakers); Stillpoints Ultra Mini's (Under Preamp and DAC); HRS E1 Isolation Platform w/G7 Feet and G-Links (Under Amp and Master Clock/LPS); HRS E1 Isolation Platform w/G7 Feet (Under Streamer); Shunyata DarkField Suspension System and DarkField Mini Elevators (Under Speaker Cables); IsoAcoustics Iso-Pucks (Under EtherREGEN) Noise Reduction: HRS DPX-14545 Damping Plate (On Amp and Preamp); HRS DPII-14545 Damping Plate (On DAC) Grounding: Shunyata Alpha v3 CGC/SGC Ground Cable (DAC to Denali v2); Shunyata Delta v2 CGC/SGC Ground Cable (EtherREGEN to Denali v2) Rack: Quadraspire SVT Sun Room Wireless Speaker: McIntosh RS200 Power Resonator: ADD-Powr Symphony Pro Power Distribution: Shunyata Venom PS8 w/ Venom Defender Power Cables: Shunyata Delta NR (Venom PS8 to Wall Outlet); Wireworld Silver Electra 7 (RS200 to Venom PS8) Isolation: IsoAcoustics Iso-Pucks Rack: Pangea Audio Vulcan |
#77
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The AR Ref160M is 15K/amp. For this you get 140/ch with a S/N ratio of 110 dB and higher distortion. I would much prefer a 3500 MKII to an AR Ref750SEL: 16 tubes, very massive with inferior specs to the 3500MKII, price 35K/amp. Think about it: minimum 500 watts/ch out of 8 tubes at .3% distortion, S/N of 120 dB, 8 tubes, very compact 121 lbs. The meters are much more accurate than those of AR and any other non-Mac amp for that matter. This amp is a no brainer if you can afford it. That's why I bought one the day after I became aware of it. I wouldn't remotely consider driving my XVX with a 160M. I would need a 750SEL or a Vac 450iQ Statement at 450 watts/ch price 75K/amp. Again, I would much prefer it to the much more expensive VAC mono amp unless I could sell it and pocket the difference. I believe the 3500 MKII is the best value I have ever seen in an audio amplifier. It is the only super high power tube amp I would feel comfortable with. You are comparing apples to watermelons when you compare it to a 1.25KW. Best Charles p.s. I understand shipment will begin before the end of the month. Last edited by Charles; 12-25-2021 at 01:18 PM. |
#78
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Has anyone noticed that the MC3500 MKII has only four binding posts as opposed to the usual six? I have not seen this before?
Best Charles |
#79
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I suppose things could get a little messy in a tri-wire configuration having 3 speaker cables attached to a single post. BTW, don't over tighten the posts. Ask me how I know...
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
#80
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Charles - the 3500 II is not quad balanced, so there is a single common terminal and 2, 4 & 8 ohm taps for four terminals total. Quad balanced amps have a (-) terminal for each impedance tap for a total of six terminals.
Tom
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
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