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Attacca Quartet - Of All Joys
Qobuz 24/96 One of the best string quartet releases of the last years. “And tears and sighs and groans my weary days / Of all joys have deprived”. This short verse by John Dowland, which inspired the Attacca Quartet the title of its new album released by Sony, sums up well the state of mind of the members of the quartet when the COVID-19 pandemic broke out. Faced with lockdowns and social distancing measures, music could no longer fulfill its promise of reunification and communion. So, when the easing of health restrictions timidly allowed the resumption of artistic activities, the return to the studios had the effect of a shock for the four young musicians: "We've never been so moved: we had to stop and cry between takes", confesses Andrew Yee (cello). "Of All Joys" is therefore an album of resilience, the one of the newfound light that blinds you and brings you back to the world after spending an eternity locked in the darkness of a cellar. There is thus a very great spirituality in this album, which brings together Renaissance works and minimalist compositions from the 20th century. Arvo Pärt's Summa, heartbreaking in its sustained earthly clashes, and Allegri's Miserere magnificently transcribed, reveal the highly metaphysical character of the programme. But the quartet avoids any accusation of bigotry, showing that depth can emerge from secular works, as in the madrigals of Dowland or Gibbons. The latter's Fantasia à 6 in D minor is dazzling with colour, and the Attacca serve it perfectly with their sharp timbres, hitting their target right in the heart. The harmonic and rhythmic richness of this composition leads the listener into a multitude of healing emotions. Beauty and joy as a remedy for pain. It is indeed a direct relationship with the emotions that guides the intelligent and precise approach of the Attacca Quartet, who preferred here the sensual, carnal relationship to the works rather than any historical or musicological loyalty. In fact, of all the works on this programme, only one was actually written for string quartet: the Quartet No. 3 "Mishima" by the composer Philip Glass. It is perhaps with this piece that the genius and essential talent of the New York quartet is fully realised. Music lovers around the world had never recovered from the version recorded by the legendary Kronos Quartet in 1985. Since then, it seemed impossible to improve on it, and yet Attacca has done just that. With a fresh approach to this six-movement quartet, they offer a much more nervous, sharper version. The overall sound is unpredictable, sometimes rounding off the timbre, sometimes piercing the silence with great blows of the bow; one could almost see the poet Mishima appear in the flesh, so well does this interpretation reflect his contradictory personality and the tragedy of his fate! The album ends as it began, with the meditative and soothing company of Arvo Pärt (here, his Fratres). The musicians barely touch the strings, a thin stream of pure air flows from their instruments. This finale has the effect of an out of body experience and plunges us into a state of blissful wonderment. After hearing it, there is nothing left but silence, to try to penetrate the mystery of this splendid ecstasy with its diaphanous beauty. It is a monumental disc that the quartet offers us here. Overwhelming. © Pierre Lamy/Qobuz
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables Last edited by bart; 03-12-2022 at 12:30 PM. |
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Kullervo
Sibelius London Symphony Orchestra London Symphony Chorus Peter Mttel and Monica Groop Vocalists Sir Colin Davis Conducting Very Enjoyable and well played. LSO Live SACD LS00574
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It's all about the Music, but I sure like the way my gear makes it come alive! |
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If you're looking for Don Corleone, you won't find him here. Very faint, very infrequent echoes of everything from Debussy to Rachmaninoff or Prokofiev to Herrmann maybe, but nothing that evokes omerta. Or Clemenza's cannoli, for that matter. Very delightful, well-performed program from start to finish in superb sonics (in the 24/96 iteration). It'll definitely get more playing time here.
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Jim Bedroom: Aurender N150-->Bryston BDA-3-->EMIA Elmaformer Cu passive line stage-->conrad-johnson MF2500-->Paradigm Studio 20 v.5 Wireworld Eclipse IC and SC Shunyata Delta D6, Alpha XC, Delta NR v.2, Alpha USB; Altaira CG Hub Stillpoints Aperture II; Ultra SS; Ultra Mini GIK Monster; 242 Butcher Block Acoustics Maple Platforms |
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Quote:
Nino Rota has been recorded often lately (even if this is an album from 2011). He's composed a nice oeuvre besides his film scores.
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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What Classical Music Are You Listening To Tonight?
George Walker: Five Piano Sonatas (1953-2003)
Steven Beck, piano Bridge (2022), via Qobuz Walker is new to me, I picked this up in a review on Positive Feedback. Very interesting and sometimes quite beautiful music. IMG_1641.jpg
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
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Firebird Suite
Stravinsky Night on Bald Mountain Mussorgsky Marche Slave Tchaikovsky London Symphony Orchestra Leopold Stokowski Conducting Very aggressive and insightful with wonderful fidelity and play! London Records SPC 21026 (Phase 4 Concert Series)
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It's all about the Music, but I sure like the way my gear makes it come alive! |
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DE HARTMANN, THOMAS: Koliadky: Noëls Ukrainiens; Symphonie-Poème No. 4; Concerto Andaluz; Un fête en Ukraine (Suite)
Bülent Evcil (flute) Kuchar, Theodore (conductor) Lviv National Philharmonic Orchestra of Ukraine Toccata Classics (2022) via Qobuz Hauntingly beautiful music by Ukrainian born composer De Hartmann and recorded in Lviv, Ukraine. From ClassicsToday.com: "The four pieces offered on this splendidly performed and engineered disc are all premieres, part of a larger project to records all of his major works on a variety of labels. The songs, chamber and (non-Gurdjieff) piano work have already appeared on Nimbus, and at time of writing this review three discs of orchestral music are “in the can.” That’s a very lucky thing, because conductor Theodore Kuchar was forced to flee Lviv just days ago due to Russia’s insane invasion of Ukraine, and God only knows what will happen to the city and its fine orchestra, which is scheduled to tour the US in February, 2023. We can only pray for their safety." IMG_1646.jpg
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Tony D'Agostino Momentum S250 MxV & HD pre; Linn Klimax Organik DSM, SonicTransporter, EtherRegen; Acoustic Signature Typhoon Neo, Koetsu RSP, Boulder 1108; Sf Il Cremonese; Shunyata Everest, Altaira, Sigma & Alpha v2 |
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