#7551
|
||||
|
||||
Analog Addict
Nice report on the creation of the PSE For me as someone who has no idea about the technology / electronics, it is always fascinating to see how the device is created piece by piece. Modifications to construction on the fly? I thought the circuit diagram was fixed before the construction and the chassis was accordingly equipped with the appropriate holes etc. specially made for the project. |
#7552
|
|||
|
|||
Quote:
|
#7553
|
||||
|
||||
If I understand correctly, it is not a departure from the original circuit diagram but a changed layout due to the space available, size of the components and possible electrical interference. Basically the same amplifier, only the way the cables are routed and the components are placed is different.
|
#7554
|
||||
|
||||
Well, here’s the rub. I don’t know how many connections and terminal strips I’m gonna need to build an amp. Dennis is obviously in a much better position in this respect with his decades of experience. Once a design is worked out and finalized, then this can be done by rote.
Also, once I had this chassis painted, I am loathe to drill new holes if I don’t have to, as to avoid chipping the paint. Powder coat would have been much easier to work with, but because there was JB Weld filler around some of the corner welds, powder coating was out of the question. So that leaves me with trying to work with the holes that are already drilled for other connection points plus a best guess how many holes need to be specifically placed just for terminal strips, and where to put them in order to get the most efficient use out of them. Then the question of wiring layout comes into play. One may notice that I built my grounding scheme first. I do this on purpose because it allows to to start to visualize where I want to route different wire sets. For example, in this design, all the filament supplies are AC, so I need to not only twist them all, but also try to run them 90° perpendicular to any signal wiring to try and minimize any AC noise bleeding into the signal. And so on and so on. Dennis does all this his without consciously thinking about it, but as is pointedly obvious, I’m no Dennis… This is all part of the process that most people don’t realize is going during the prototyping of an amp, or the building of a one off design. I’m posting these building updates to try and give people an appreciation how much thought and how much work really is behind all these beautiful Inspire creations you all know and love… PS: I’m out of town till next weekend, but will be available via PM for everyone’s Inspire needs… |
#7555
|
||||
|
||||
Thanks for the info
this helps me, as a technically inexperienced person, to understand a little bit of the immense effort behind the products. In addition, if the end product is functional, there is also the fine-tuning of the sound. a lot of work goes into the prototype until a series product is created. |
#7556
|
||||
|
||||
has anyone heard the new LP 396 pre amplifier???
where are the differences in sound to the CJ5 or 2030 |
#7557
|
||||
|
||||
KT-88 Firebottle update plus fiddlin' around
So I finally made it to the shop after being either busy or out of town. Brought along my PSE GK6'er to get the filament transformers in phase and add the plate caps/holes for the 816 rectifiers. Power supply was mostly done, and needed a few parts for the bias circuit.
Untitled by analog addict, on Flickr Dennis and I drilled the plate cap holes and added a couple of grommets. He then showed me how to phase the 2 filament transformers, a process actually very similar to using an extra filament tap as a bucking transformer. Hear are the rectifiers after installation of the plate caps. Untitled by analog addict, on Flickr Got to the point where Dennis said "let's fire up the power supply..." and this is what happened...(Click on image for video) Untitled by analog addict, on Flickr After a bunch of head scratching, circuit re examination and a lot of burnt fuses, we finally determined that one of the original rectifiers was shorted and causing the light show...Just happened to have a spare 816 on me and lo and behold, the PS circuit works! Tubes are not glowing much because there is no load to draw current, but you get the idea I hope. Untitled by analog addict, on Flickr Meanwhile on the non foolin' around bench we have this.... The upgraded KT-88 Firebottle... Dennis has upgraded the power transformer which now supplies a higher potential plate voltage and more current on all taps. Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr While the summer doldrums are in effect, Dennis had some time to redo the tube charts for the Universal series of amps, including an Ammeter to measure plate current. Untitled by analog addict, on Flickr And here's the end result... Untitled by analog addict, on Flickr He didn't list any 5V4s, but told me that they can be used in the same slots as the 5AR4, but with a little less resultant power output. Lastly, as for the 396A pre amp. I have not heard it yet. The current one and only doesn't seem capable of leaving Dennis' home system. What does that tell you? Apparently Straitwire is finishing up chassis #2 soon, so one way or another, I am hoping to hear it soon... Last edited by Analog Addict; 08-06-2023 at 01:52 PM. |
#7558
|
||||
|
||||
Who wants a PH-1?
Went to the shop on Monday to work on my PSE GK6'er, and found that Dennis had two, count 'em two, PH-1 Phono pre amp's on hand. At least one of these is for sale, and you get to pick Black or Red.
Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr Untitled by analog addict, on Flickr Cost is $2250 with the PH-1 using a 5AR4 rectifier, a pair of 6SL7s, and a 12AX7. Meanwhile, in the back, here I am sharing a bench with a true master of the art. How lucky am I?!? Untitled by analog addict, on Flickr Last edited by Analog Addict; 08-09-2023 at 11:28 AM. |
#7559
|
||||
|
||||
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#7560
|
||||
|
||||
Hello AnalogAddict
did Dennis change the circuit on the phono stage? 5AR4 and 6SN7? mine came with 5Y3 and 6SL7. Dennis said the circuit would only be designed for the 5Y3. Can I try the other tubes as well? |
|
|
Audio Aficionado Sponsors | |