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That is why European orchestras seem to be less in danger than their American colleagues. But as the crisis continues, and countries have to cut down on expenses, the cultural sector is usually the first one that suffers. I read an interview with Iván Fischer, who thinks that the landscape of classical music will have changed drastically by 2035. He doesn't see the same amount of symphonic orchestras survive, and musicians will have to be more flexible and play in different constellations.
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Brahms: Piano Concertos
^^ Interesting. I think the Gewandhausorchester will survive.
Brahms: Piano Concerto No. 1 in D minor, Op. 15 Piano Concerto No. 2 in B flat major, Op. 83 Nelson Freire (piano) Gewandhausorchester, Riccardo Chailly Excellent music, interpretation and recording. Gramophone Awards 2007, Record of the Year |
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The title is a bit of a misnomer since there are only two proper chaconnes, but his playing is brilliant. The sound is basically good but a little over-reverberant for my taste. Does add a nice sense of bloom, though.
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I'm on the board (vice chair) of our local symphony orchestra and fund raising is truly a year-round effort. We are in the midst of our annual search for funds and our push to sell season tickets as I write this, and I wonder if we will be able to secure sufficient funding to put on our 2014-2015 season. Patrons are fewer and fewer, Government and private grants are extremely hard to come-by. Musicians expect higher and higher wages. Large sponsor/donors have cut back in their contributions, and corporate sponsorships have declined. Ticket sales fail to come close to covering the expenses related to putting on a concert, and younger people don't seem to appreciate the symphony and fail to see the importance of symphonic/classical music, and just don't bother to come to performances. A sizeable percentage of our regular audience chooses to pick and choose the individual concerts they will attend rather than purchase season tickets, thus making it hard to plan. As I sit here, we are planning to go ahead and put on our season, but after 51 years here in our community, if things don't change, this could be our last. I met with our executive committee yesterday afternoon and there were not many smiles in the room. The situation is a little bleak here for good, live, classical music. played by an excellent professional orchestra. Hey, Y'all, support the arts . . . . send money!!!!
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
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Haydn: String Quartets Op. 20
This is nice...
Haydn: String Quartet, Op. 20 No. 1 in E flat major String Quartet, Op. 20 No. 2 in C Major String Quartet, Op. 20 No. 3 in G minor String Quartet, Op. 20 No. 4 in D major 'Sun' String Quartet, Op. 20 No. 5 in F minor String Quartet, Op. 20 No. 6 in A Major Quatuor Mosaïques (on period instruments) Very engaging performance that highlights the counterpoint in this music. The recorded sound is natural and atmospheric. The string timbers come through nicely. |
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables |
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Gramophone Disc of the Year
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Gramophone Awards: Disc of the Year Last edited by cma29; 09-18-2014 at 11:04 AM. |
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Beethoven: Symphony No. 9
This one needs no introduction...
Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral' Melanie Diener (soprano), Petra Lang (mezzo), Endrik Wottrich (tenor) & Dietrich Henschel (bass) La Chapelle Royale, Collegium Vocale Gent & Orchestre des Champs-Élysées, Philippe Herreweghe This recording was released for the first time in 1999 and was one of the first to use Jonathan del Mar's edition in which textual errors and ambiguities were corrected. Now reissued at budget price ($9.50 from Presto Classical), this is an outstanding period instrument version of the Choral and the recording quality is excellent with lots of impact conveying the excitement of the performance. |
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Biber: Sacred and Profane
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