#51
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What happened with the Esoteric D/P-02?
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#52
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Anatta, Esoteric 02 were hard to get at that time I brought Accuphase for in home audition. And I found Accuphase to be much more musical than my Esoteric 03, so
It's time for change. Esoteric use twin AES/EBU cables which is very costly, and these cables plays a lot of role to tonality too. So I wanna have some change. I am sure both are great. Accuphase doesnt have any kind of sampling rate conversion, but it make beautiful sound, while Esoteric has too many options, also likely that I will have to buy expensive Rubidium clock to make it complete. Toga |
#53
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Do you really have to use dual AES interface between transport and DAC? I think the data rate of a single AES connection is enough to carry both channels.
Anyway, even if you want to use dual AES there's no need to get expensive cables because the Esoterics have word clock I/O so the D-02 DAC can be the master for the P-02 transport eliminating jitter. When you connect the word clock out of the DAC to the word clock in of the transport, the reference clock for conversion is generated by the DAC and it slaves the transport to this clock, this way the DAC doesn't have to extract the clock embeded in the AES signal output by the transport by use of PLL and jitter is mostly eliminated. So expensive digital cables become irrelevant. Also, you don't need rubidium external clock. Here Esoteric (dCS too) tries to make a profit by exploiting ignorant audiophiles. The whole point of an external clock is to synchronize multiple digital devices to a single reference clock and is usually used in a recording studio. But for an audiophile system situation the best quality is obtained by making the DAC the master because the clock should be as close as possible to the DAC chip to eliminate jitter. A DAC should always work on its internal clock and not receive it from an external device. If you want to know more about this read this thread: Setting Transporter to Slave for World Clock Input or here but is very long: Proper word clock implementation |
#54
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Ok, if the I fail to get reasonable price on Acc , I will give Eso a try, if i can find one.
Yes i will need to use dual AES, as single is limited to 88.2 , higher than that or DSD up conversion Require dual. And believe me, these digital cables make sound different just the same as analog XLR Cable, clocked or not. Even ac cord feeding the DAC esoteric D03 made huge different. Toga |
#55
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I think I have ears damaged by the Burmester already. I can't listen to my own amps anymore. It feel lean, cold and thin.. That is what I call ears damaged.
Lucky I have spare amp from the Madrigal era, the Proceed HPA3. I connect ARC Ref40 to Proceed amp and it is more meaty. Tomorrow I will have Vitus Audio 101 class A and 102 preamp delivered. I think I will have to replace amps earlier than plan due to the high standard set by that loaned Burmester. Toga Last edited by TOGA; 08-28-2012 at 11:23 AM. |
#56
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Quote:
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#57
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Toga... Very Nice!
__________________
Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#58
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Quote:
Have you tried ARC R40 mate with VTL power amp ?
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[B]Audio Research Reference 5SE / Reference 150 / Playback Designs MPS3 / Wilson Audio SaSha |
#59
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Hi Toga,
It has been fascinating to read your progress in developing your system, trying many high quality components. Thanks for posting all the details you do, and for being as honest as you have been in your findings I think most of us in this friendly forum are "old" enough to know that there is no perfect component, just ones which may be a great fit in terms of system synergy, budget, and how and what we like to hear. I know you have heard Vitus before, but maybe that was with your previous speakers, not the Q3. A close friend loves the combination of Magico and Vitus, but as we are now on different continents, I haven't been able to hear this combination and so will be interested in how you find it. I think the Burmester 911Mk3 is a special amplifier, but it is very fickle to get the most out of. More than any other component I have. But then also, I use mine with Amati Futura, which I am sure sound quite different than your Q3. For me, the marriage between speaker and power amplifier is the first thing to get right, then the smaller thing likes source, cables, conditioners, etc, can follow, just like little children, to create the perfect family It is also interesting to read about value for money - where I am, the 911Mk3 is much less than the Moon W7M. Where you are, it seems to be about the same difference - the other way! These things matter. |
#60
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Glisse,
Perfectly said and all true from my viewpoint. I am struggling myself on which way to go. |
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