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The four inch diameter cylinder also has a circumference one third of a 12" LP, at least at the outer edge of the record. The cylinder had a constant speed from start to finish. |
#12
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#13
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You should be aware that "78's" did not all run at 78 speed. Speeds could run as slow as 68 and as fast as 85. There was no standard record speed or equalization for so-called "78's" for most of the time they were the primary recording format. Different manufacturers had different speeds. In a lot of ways it was the first VHS vs. Beta type battle. The idea was that if you bought an RCA/Victor Victrola, you would buy RCA/Victor shellac. Even the current RIAA curve wasn't completely standardized until 1954.
As for 45 rpm LP's, they sound great. My only complaint is having to get up after every song to flip the record. While I have probably 50 or so of the 45 editions, I find that I don't listen to them as often as my 33's. On the other hand, I have found that having 45 LP's and 45 singles is a great way to squeeze in a listening session on a busy day. Cheers, Gregory |
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