What are you listening to tonight

[PHC1]

Henderson was born in Chicago, Illinois. Henderson began his professional music career in 1952, performing in Chicago with Ramsey Lewis, and began recording as a leader after a move to New York in 1958. He subsequently recorded with jazz pianist Horace Silver on a vocal version of Silver's "Señor Blues" which was a jukebox hit (in the mid-1950s), and remains one of jazz label Blue Note's top-selling singles.

Additionally, Henderson performed and recorded with Oscar Peterson (Bill Henderson with the Oscar Peterson Trio), Jimmy Smith, Count Basie, Yusef Lateef, and Eddie Harris. He was under contract to the Vee Jay label between 1958 and 1961, who recorded his first album as leader, Bill Henderson Sings (1958), which features trumpeter Booker Little among the sidemen.

Beginning in the mid-1970s, he frequently appeared on television in supporting, usually one-time roles. His film roles have followed a similar trend — minor and supporting roles. Henderson also recorded his own vocal tracks as "King Blues" for the comedy film Get Crazy (1983). Henderson made a guest vocal appearance on Charlie Haden's album The Art of the Song (1999).

[JemHadar]

David Bowie | Ouvrez Le Chien [Live Dallas 95]

[PHC1]

Johnny Hartman has always been one of my favorites.

[JemHadar]

David Bowie | No Trendy Réchauffé [Live Birmingham 95]

[bart]

Norah Jones - Come Away With Me
Qobuz 24/192

[bart]

Originally Posted by PHC1

This time, with tenor saxophonist Ernie Watts, pianist/arranger Alan Broadbent (both mainstays of the quartet), and drummer Rodney Green, Haden goes for a lush, all-embracing sound that suggests a warm, cozy mood that reflects a time -- which may or may not ever have existed -- when life was much less hectic. The recording largely pays tribute to the romantic balladry of the mid-20th century, and Haden's choices of both material and guest artists allow him to bring that concept to fruition gloriously. Diana Krall, leading the back-to-back "Goodbye" and "Wahoo," closes out the album: the first is a whispery take on the Gordon Jenkins number that served as Benny Goodman's theme song, and the latter an uptempo swinger written by Benny Harris. Norah Jones was a natural pick for a set that values classiness and sensuality, and her "Ill Wind," penned by Harold Arlen and Ted Koehler and arranged by Haden, exudes a smoky nightclub ambience, Broadbent's piano lending a blues touch to Jones' soothing delivery. Cassandra Wilson is another inspired pick, and her interpretation of Johnny Mercer's "My Love and I," bathed in strings and elegance, is a highlight of the set. The album's other vocal performances -- by Melody Gardot, Renée Fleming, and Ruth Cameron -- are also memorable, but not to be overlooked are the non-vocal tracks. Hank Jones' bluesy "Angel Face" is simultaneously sweet and melancholy, while Steve Khun's fiery "Today I Am a Man" is the swingingest number here. And of course, Haden couldn't very well title his album Sophisticated Ladies without including Duke Ellington's "Sophisticated Lady," which matches Watts' bold saxophone licks to another luxuriant orchestration. Sophisticated Ladies does fall just short at times of mimicking a brand of saccharine faux-post-big-band jazz that flourished in the '50s and early '60s, but Haden and his team are too masterful to allow their tribute to lose its stylishness and, of course, its sophistication.

I had never listened to this album, and now I finally did.
Admirable effort.
But not on the same level as the comparable Herbie Hancock album 'The Joni Letters'.

[PHC1]

Originally Posted by bart

I had never listened to this album, and now I finally did.
Admirable effort.
But not on the same level as the comparable Herbie Hancock album 'The Joni Letters'.

No, perhaps not quite. Still a pleasant listen.

[audioguy3107]

[JemHadar]

David Bowie | The Buddha of Suburbia

[crwilli]

The Rolling Stones - The Rolling Stones, Now!