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McIntosh Audio A Tradition of Excellence |
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Thread Tools | Display Modes |
#11
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Suggestions on Pre Power pairing
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My bad, the C22 IV I own has a tape loop and a fixed output. Looks like they got rid of that on the version V. Another reason I’ll never get rid of my C22.
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McIntosh MC462, C22 IV, and MR7084; Simaudio Moon 300D V2 DAC; Technics SL1200G, Mac Mini Server; Sonus Faber Grand Piano Home; and Wireworld Cables. Last edited by Stahle; 12-12-2021 at 07:00 PM. |
#12
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It's a real head scratcher why Mc put in 2 outputs but omitted at the very least a fixed output that could be used for recording purposes. For a preamp that's supposed to be a link to the pre's of old that is one strange omission.
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
#13
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I am leaning to the MC462 are seeing the opinions here and reading some reviews. I hate the thought of moving this monsters around especially after living with the PS Audio M700s for the past couple of years. I am ready to get back to a class AB amp. I think I am ready to go back to a tube preamp after the last decade of solid state preamps. I am not overly thrilled with the retro look of the C22 I wish it looked like the C70.
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#14
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McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only) |
#15
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Since the DAC2 module that is fitted to various preamps in the Mcintosh line,
It optional on the C8. 1. Can the C2700 be purchased with out it? 2. If not can it be removed from the C2700? I guess my question really is can the C2700 be strictly be an analog preamp? |
#16
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Find a c2300
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#17
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If you are not thrilled, don’t buy it. Be patient and get a c70, mc462.
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Solid State System: PS Audio Dectet - Innous Zen MK3 - Schiit Audio Yggdrasil - WireWorld Eclipse 8 Cables - McIntosh C48 & MC452 - Sonus Faber Guarneri Tradition - JL Audio F110v1 (2) - Stillpoints Tube System: PS Audio Dectet - McIntosh MR88 - Innous ZenMini - Chord Qutest - WireWorld Eclipse 8 Cables - McIntosh C22V & MC275 - Sonus Faber Cremona Auditor - Stillpoints & IsoAcoustics Gaia III |
#18
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Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II Stax SR-009S with SRM-700T |
#19
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I like the look and feature set of the C2700 better than the C22 . I am not going use the DAC in the C2700 so it seems like a waste. I also wonder if the preamp might sound better if it didn't have to power the DAC module.
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#20
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While the digital side of the C2700 may not be needed, it may be something that could be useful in the future, and something you may want to compare to your current DAC. If you like the looks better, that's another strong reason for the C2700 unless you could hear some significant difference with the C70, which a year from now would not make any difference to you as you're enjoying the music. That said, I'm partial to the black glass design language McIntosh incorporates in their non-retro models. Since all members here are expert at spending each other's money, if you can swing the 462 for the headroom, it would cure upgraditis from the 312, and probably save some money in the longer run. I've got a 402 in another system and love it. This is all mostly opinion, and while based on experience, it's not experience with all the options you've listed. If you like that C2700/MC312 combination you can't go wrong with it (or the other ones for that matter). You can only upgrade it sometime in the future, and again, we're more than happy to help you spend your hard earned money, LOL!
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
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