AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > JL Audio

JL Audio Ahead of the Curve

Reply
 
Thread Tools Display Modes
  #1  
Old 05-16-2010, 10:54 AM
Gordon Gordon is offline
Member
 
Join Date: Apr 2009
Location: Southern MD
Posts: 416
Default Speakers & subs on the same plane?

For you guys using a stereo pair of subs:

Do you have them pushed back in a corner or have you tried placing both the subs and speakers on the same plane?

I'm kinda bored today and the thought crossed my mind that having all the speakers on the same plane could/should/maybe have some impact, either good or bad on the presentation.

Gordon
Reply With Quote
  #2  
Old 05-16-2010, 12:18 PM
Still-One Still-One is offline
Guest
 
Join Date: Apr 2009
Location: Milford, MI
Posts: 32,465
Default

There is no need to have your speakers and subs on the same plane. The wavelength of the frequencies are very different so they will arrive at your ear at different times. That does not mean that the corner is the best place, it is going to be a bit of trial and error 'till you find out how they best integrate the sound.
Jim

Last edited by Still-One; 05-16-2010 at 02:46 PM.
Reply With Quote
  #3  
Old 05-16-2010, 02:33 PM
klipschfan's Avatar
klipschfan klipschfan is offline
Against the Tide
 
Join Date: Apr 2009
Posts: 2,349
Default

Speakers and Subs ideally should be on the same plane and distance from the listening position.
http://audioaficionado.org/jl-audio/...html#post18914

Unless you are using a processor that will correct delay for the difference in distance.

Am using two F-112's placed next to main speakers and exactly the same distance from listening position for subs and speakers-Sounds great!.
Reply With Quote
  #4  
Old 05-16-2010, 02:48 PM
Still-One Still-One is offline
Guest
 
Join Date: Apr 2009
Location: Milford, MI
Posts: 32,465
Default

Quote:
Originally Posted by klipschfan View Post
Speakers and Subs ideally should be on the same plane and distance from the listening position.
http://audioaficionado.org/jl-audio/...html#post18914

Unless you are using a processor that will correct delay for the difference in distance.

Am using two F-112's placed next to main speakers and exactly the same distance from listening position for subs and speakers-Sounds great!.
I guess he doesn't believe in time aligned drivers.

Makes no sense to me.
Reply With Quote
  #5  
Old 05-16-2010, 02:54 PM
jdandy's Avatar
jdandy jdandy is offline
Merry Christmas to all



 
Join Date: Apr 2009
Location: North Central Florida
Posts: 53,224
Default

It seems to me that one of the most important aspects of subwoofer integration is the phase relationship of the subwoofer's driver(s) to the main system's drivers. The key is to have the drivers moving in the same direction at the same instant.
__________________
Dan



STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
Reply With Quote
  #6  
Old 05-16-2010, 03:06 PM
klipschfan's Avatar
klipschfan klipschfan is offline
Against the Tide
 
Join Date: Apr 2009
Posts: 2,349
Default

Quote:
Originally Posted by Still-One View Post
I guess he doesn't believe in time aligned drivers.

Makes no sense to me.
This may help-

Now the topic of “time alignment” as a whole applies the same laws of physics and acoustics to two very different arenas of system design. In one arena it pertains to the placement of speaker cabinets in relation to one another and their comparative distance from the listener. In this case you are aligning the arrival times of the sound coming from the various cabinets.

Time Alignment Part I
Reply With Quote
  #7  
Old 05-16-2010, 03:30 PM
Gordon Gordon is offline
Member
 
Join Date: Apr 2009
Location: Southern MD
Posts: 416
Default

Don't get me wrong, the subs are blended very well right now and have no complaints, but if it can get better..........

Gordon
Reply With Quote
  #8  
Old 05-16-2010, 03:46 PM
PHC1 PHC1 is offline
Guest
 
Join Date: Apr 2009
Location: Pa
Posts: 23,609
Default

In my own room I've had better luck loading the room with subs in the corners and using the very flexible adjustments on the Fathom subs to blend them in seamlessly. The subs are more efficient loading the room from the corners and sound absolutely coherent and balanced with the main speakers. This is in my room YMMV, so do experiment.
Reply With Quote
  #9  
Old 05-16-2010, 03:50 PM
JJinID's Avatar
JJinID JJinID is offline
The Architect

 
Join Date: Apr 2009
Location: Scenic Idaho
Posts: 2,391
Default

I tried placing my two F113s at the front of the room in the same plane as my LS360s with the sub/speakers crossed over at 80hz with my MX119. This did not work well due to my room accoustics - the main issue is that I had a gigantic spike in bass at 25-30hz that I could not eliminate even with the ELF trim on the subs turned all the way down to -12db. I also had a dip in bass at 60hz that is probably a room related issue as well as I have been able to minimize it with fine tuning of speaker placement and listening position but I have not been able to eliminate it.

I then placed my subs behind my listening position more in the back 1/3 of the room along the side walls and I am getting a very nice, much more flat 20-80hz response now from my subs. I used the polarity and phase settings to dial in the subs with the mains while running test tones around the crossover point with the mains out of phase and finding the lowest volume of the tone. They now sound perfectly blended in and the sound has a very even response.

So to answer the question I think having the sub in the same plane with the mains is ideal if you can get even frequency response doing it that way, but otherwise I believe it is better to find the location in the room where you can have the best overall frequency response and use the polarity and phase controls from there.
__________________
McIntosh MC501s, XRT29s, XR27, WS350s
ModWright LS 300 Preamplifier
Denon AVR-A100 HT Receiver
JL Audio F113 subs with CR-1 Crossover
Schiit Audio Yggdrasil DAC (Analog 2 + Unison USB)
Sonore Ultrarendu with Uptone Audio LPS-1.2
Uptone Audio EtherREGEN network switch with LPS-1.2
Oppo UDP-205 with ModWright Signature Truth Tube Modifications
Clearaudio Performance SE TT with Hana ML MC cartridge
ModWright PH 9.0x Phono Stage
ASC & RealTraps Panels; APS PurePower 2000; Daedalus Audio DiDs
LAT International, Shunyata, Wireworld, WyWires Cables
Reply With Quote
  #10  
Old 05-16-2010, 04:01 PM
Masterlu's Avatar
Masterlu Masterlu is online now
AA Founder, Legend AV Owner



 
Join Date: Apr 2009
Location: South FL & Cape Cod MA
Posts: 78,536
Default

I think this is about as controversial as where do you part your hair

For me personally, the best results are obtained off axis from the main fronts. In four different environments I run dual subs in the rear, bellissimo!
__________________
Ivan
FLORIDA
MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 09:31 AM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video