#1
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My experience with the MEN220
I had been hearing so much good things about the McIntosh MEN220, I figured out I had to try it for myself before I could have a serious opinion.
Little did I know I was walking straight into a trap and what was merely curiosity at the time would transform into a serious case of the flu :P, not unlike what I felt before buying my amplifier. It has been discussed extensively in some other threads that the concept of the MEN220 is very counterintuitive because instead of aiming for the signal with the least components in its path, this unit is adding I don't know how many chips in the signal transforming it from analog to digital and from … This is not what interested me when I tried it out, I wanted to see how it would shape the sound of a system in a real life situation. In the case of the audition, I was listening to the MCD301 going into a C2300 getting a sweet massage from the MEN220 into a MC402 and finally into a pair of Canton Reference 3.2. The salesman was kind enough to do the calibration routine in front of me so I got to experience the full process. He then left me with a few CDs and the remote for as a long as I pleased. After a few songs, it was clear that this is one of those units that I would just need to add to my system. Switching from the bypass setting to the focus setting, I could hear the soundstage coming together in a way that was very natural and right in the context of every pieces I heart. The voice would come up front closer and the different instruments would feel just a little bit more separated from one another. I felt like the unit allowed for a more detailed sound which brought out some harmonics from the difference instruments, this I felt brought to the musicality of the system. The bass was completely transformed, when the MEN220 was on I felt like the lower frequencies would extend much deeper and the inflections from acoustic instruments could be felt and heard. The reverb(reverb that was found in the recording) from lower notes would extend much longer than I could hear them without the MEN220. The lower frequencies sounded more defined and tighter all together The unit provided all these benefits while being completely transparent. I almost felt like the marketing department from McIntosh was putting some filters on the bypass circuit so that everything would sound dull and less exciting. I will continue auditioning the unit before purchasing it, to confirm these findings, but from this first audition I can say that without any doubts that this unit will find its way into my listening room really soon. Ludwig |
#2
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Ludwig.......My conclusions parallel yours. The MEN220 is remarkable. Don't overlook it's active crossover capabilities if you use a powered sub or decide to bi-amp your main speakers. You might as well bring the MEN220 home.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#3
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Dan
Thank you, Your review was definately one of the main reason which brought me to audition a unit that I had overlooked until very recently. At this point, I feel like it's only a matter of time until I'm a happy owner. |
#4
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Horrible thread. Just lets me know what I'm missing. My wife spent my MEN220 money with a week in Bermuda last month and this past week on Martha's Vineyard (80F with a nice breeze is so much nicer than 105F with none). At least I got to go along. Now that she's off to Maui next week (without me), I can start saving. Again. Please keep us up-to-date as you gain additional run-time.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#5
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Quote:
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#6
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I'm an analog guy but I would never take my Room Perfect out of my system
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There are two means of refuge from the miseries of life: music and cats Albert Schweitzer |
#7
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I await the completion of my new MEN 220 from McIntosh. It should be ready in a week or so. Now I am very excited to test it out upon delivery. Since I have a MX 135, should there be a second MEN 220 in my future for the rear speakers?
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McIntosh-MC1.2KWs(4), MC501(1), MX135(2),MT10(2), MVP881BR(1),MEN220(2), Stax SRM007t(1), Stax SRM007ta(1),Stax SRA12S (2), Stax SRDXPro(3), Stax 4070(3), Stax Sigma Pros(2), Stax Sigma Non Pros (4), Headroom Balanced Max Loaded (1), Wadia Ipod Docking Station (3), Cerwin Vega D9s(4), Cerwin Vega CMX 212s (4), Adona Corporation Signature Component Stands (2), Adona Reference Amplifier Stands (4). Sony 70 Inch BR 1080p, AntiCable Speaker Cables (8), PS Audio PPP (2), PS Audio Power Cords(11), Teac 3340s(2), PS Audio Power Plant Premiers(2),Audio Research PH1(1), Sennheiser HD650(1), Sennheiser HD600 (1) Sennheiser HD580(1) Koss Pro4AA(1), Koss Quadraphones(4), Koss Phase2 (1) Koss 5Q(2), Headroom Micro Headphone Portable Amp(2)HP Pavilion Dv7, Ipad2, Tascam ATR 60, Tascam ATR 80. |
#8
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My bad. Spent almost all my waking moments sitting in a rocking chair or swing on the front porch (corner of Seaview & Pequot, Oak Bluffs) overlooking Ink Beach enjoying a good book and the lovely breeze. Was so bad that we even used the take-out seafood bar at Nancy's and ate at the table on the porch. Idyllic. But......... the wife is pretty much in charge when we travel. Doing so makes life much easier when it is my turn. MEN220 this fall.
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Glenn... Canton Reference 9 Clearaudio SM Pro Focal Bathys JLA 10" Dominion Kuzma Stabi S w/MC & MM Magnepan 1,7i McIntosh MA8950 & MR88 Oppo 203 Roon Nucleus Rose Hifi RS150B Shunyata Gemini-4 Sony ST-A6B, TA-F6B, ST-J75 & PS-X75 Sorane SA1.2 & TA-1L Stillpoints LP1v2 WW Pt, Au & Ag |
#9
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Quote:
In my room using the focused setting on the MEN220, it truly "Focuses" sound stage and gives a higher resolution (when I close my eyes I can easily pick the location of each instrument) as in "bypass" mode the sound stage is slightly smeared.... I am glad to hear you like it so far.
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Audio Room: Sonus Faber Amati Faturas / JL Audio 13.5” Fanthom In Wall Subs / McIntosh C52 / McIntosh MCD 1100 / McIntosh MEN 220 / McIntosh MC 601’s / McIntosh MPC 1500 / McIntosh MT 5 / McIntosh MC 275’s / Luxman AS-55 Amp Selector / Silenzo (This thing is Amazing) / Gold Lion Tubes from Vintage Tube All items in green were bought thru the AA marketplace and blue from a current AA retailer |
#10
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Does anyone have any experience comparing this to ARC running on an Anthem Pre? I have a D2v...
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