AudioAficionado.org  

Go Back   AudioAficionado.org > Manufacturers Forums > Wilson Audio

Wilson Audio Authentic Excellence

Reply
 
Thread Tools Display Modes
  #21  
Old 03-10-2022, 10:49 AM
dolsey01 dolsey01 is offline
Guest
 
Join Date: Mar 2013
Location: Boston, MA
Posts: 148
Default

When you realize your almost 9K sub is using a $299 plate amp.

https://www.parts-express.com/Dayton...h-DSP-300-8012
Reply With Quote
  #22  
Old 03-10-2022, 11:11 AM
dkorbal's Avatar
dkorbal dkorbal is offline
Senior Member


 
Join Date: Aug 2019
Location: Southeast, MI
Posts: 627
Default

Quote:
Originally Posted by dolsey01 View Post
When you realize your almost 9K sub is using a $299 plate amp.

https://www.parts-express.com/Dayton...h-DSP-300-8012
Gotta make those margins somehow. If that is what Wilson requires to cover cost so be it. Everyone has a individual choice but it's good going into a purchase with eye wide open.
__________________
Doug

2-Channel
McIntosh C2700, (2X)MC601, MEN220 Lampizator Baltic 3
Sonore opticalRendu, SGC sonicTransporter i5 (Gen 3), Roon Thorens TT TD318
B&W 803D3 JL Audio (2x)f110v2
Shunyata Denali/S v2, Alpha v2 PCs, WW Gold/Silver Eclipse Interconnects, Platinum USB

Whole House Music Listening
Bluesound Vault2i, PowerNode2, PulseMini2i, Pulse2, (3x)Flex
5.2 System Above using Passthru
Marantz SR7012
Oppo 205, Apple TV (4th gen), Sony XBR850e65
B&W HTM2 D3
Second 5.1 System Castoffs from Upgrades
LRC Paradigm Millenia 20, Velodyne MiniVee 10, KEF surrounds, DefTech AW6500

Last edited by dkorbal; 03-10-2022 at 04:18 PM.
Reply With Quote
  #23  
Old 03-10-2022, 01:55 PM
metaphacts's Avatar
metaphacts metaphacts is offline
Lower Provo River, UT
 
Join Date: Jan 2010
Location: Springville, Utah
Posts: 4,470
Default

Quote:
Originally Posted by Charles View Post
Bill, I'm a believer in matching Wilson speakers with Wilson subs. If I owned Magico speakers I would match them with Magico subs, etc. I believe the B&W sub and 10Hz is theoretical. I believe the quality of the sub, like its speed and ability to blend far more important than the absolute lowest usable frequency. I do recognize that many have achieved tremendous results with REL, JL, etc. and many top quality high end speakers including Wilsons.

But I'm sure Wilson has spent hundreds of hours carefully tuning Loke to Tune Tot, SabrinaX, Yvette, and Sasha DAW. This cannot be said for REL or JL. In addition Wilson has a long history of making great subs. This can be traced back to Dave Wilson who loved subwoofers

If you believe your advertising, Wilson devotes an entire page to the Tune Tot so if I owned a Tune Tot I would feel comfortable that LoKe would be totally compatible.

What is "North Star development parameters"?

Best

Charles
North Star for Wilson is "Excellence in All Things."

Development Parameters means being willing and open to process modifications that leverage current technology without shifting focus from experiential integrity and quality craftsmanship.

Past, present, future. Don't lose the lessons from the past, develop to the best of our abilities with current capabilities, invest in the future.
Reply With Quote
  #24  
Old 03-10-2022, 04:02 PM
FreddieFerric's Avatar
FreddieFerric FreddieFerric is offline
Member
 
Join Date: Feb 2018
Location: NOLA
Posts: 2,302
Default

Quote:
Originally Posted by dolsey01 View Post
When you realize your almost 9K sub is using a $299 plate amp.

https://www.parts-express.com/Dayton...h-DSP-300-8012
Now ain't that somethin'
Attached Images
File Type: jpg 300-8012_ALT_0.jpg (92.1 KB, 65 views)
File Type: jpg wilson-audio-loke-subwoofer-rear-panel-diagram.jpg (95.6 KB, 69 views)
__________________
McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only)
Reply With Quote
  #25  
Old 03-10-2022, 04:55 PM
PeterMusic PeterMusic is offline
Member
 
Join Date: Nov 2016
Posts: 637
Default

Quote:
Originally Posted by dolsey01 View Post
When you realize your almost 9K sub is using a $299 plate amp.

https://www.parts-express.com/Dayton...h-DSP-300-8012
This does not change my level of interest in the Loke (OK, maybe just a little), but it is very interesting. Although I'm not surprised they chose Class D for speed, I had assumed some of the weight, cost, and size was for a more substantial amp. Also strange that they would not change the facade in order to disguise the origin.

Of course, the proof of the pudding is in the eating. So if I clear WAF, it will be sound that determines my purchase decision.
__________________
Clearaudio Ovation with Tracer Dynavector KARAT 17DX Naim Uniti Core Schiit Yggdrasil McIntosh C22/MC275 Wilson TuneTots B&W DB3D Nordost QKore/QBase/Frey 2 Transparent Super IsoAcoustics GAIA II
Stax SR-009S with SRM-700T
Reply With Quote
  #26  
Old 03-10-2022, 05:26 PM
FreddieFerric's Avatar
FreddieFerric FreddieFerric is offline
Member
 
Join Date: Feb 2018
Location: NOLA
Posts: 2,302
Default

Quote:
Originally Posted by PeterMusic View Post
This does not change my level of interest in the Loke (OK, maybe just a little), but it is very interesting. Although I'm not surprised they chose Class D for speed, I had assumed some of the weight, cost, and size was for a more substantial amp. Also strange that they would not change the facade in order to disguise the origin.

Of course, the proof of the pudding is in the eating. So if I clear WAF, it will be sound that determines my purchase decision.
Bearing in mind that Wilson is a speaker manufacturer and not an amplifier manufacturer. It makes sense that they would go outside for the amp plate. But jeez, that's a pretty inexpensive component for such an expensive sub.

By way of comparison, a replacement amp plate for my SVS SB1000 can be had direct from SVS for $150. And that's bolted to the back of a $499 sub (that is a fantastically musical sounding sub btw).
__________________
McIntosh MA8000; McIntosh MC1502; Canton Vento Reference 1 DC; E.A.T. E-Flat; Soundsmith Paua Mk II; Technics SL 1210 MK5; Audio Technica AT-150 MLX; Tascam BR-20; Teac X1000R; Pioneer RT-707; Oppo UDP 205; Denon DCD A-100; HP All-In-One Touchscreen Server; JRiver MC 28; Woo Audio WA6; Shure SRH 1840; SVS SB 1000; Jolida 502BRC; Jolida JD9; VPI 16.5 RCM; Wireworld Oasis 8 Speaker Cables; Audoquest Columbia 72 DBS IC's; Panamax PM-5400 (source components only)
Reply With Quote
  #27  
Old 03-12-2022, 01:04 PM
Projectman Projectman is offline
Guest
 
Join Date: Mar 2017
Location: Sarasota, FL
Posts: 156
Default

Quote:
Originally Posted by dolsey01 View Post
When you realize your almost 9K sub is using a $299 plate amp.

https://www.parts-express.com/Dayton...h-DSP-300-8012
Just another example of “high end” audio manufacturers perfecting the best way to make massive profits on overhyped products.
Reply With Quote
  #28  
Old 03-12-2022, 01:06 PM
Projectman Projectman is offline
Guest
 
Join Date: Mar 2017
Location: Sarasota, FL
Posts: 156
Default

Quote:
Originally Posted by Audio Fi-Fo-Fum View Post
I’ll keep my JL Fathom, thanks.
Me too!
Reply With Quote
  #29  
Old 03-12-2022, 05:08 PM
Charles Charles is offline
Senior Member

 
Join Date: Jul 2011
Posts: 3,241
Default

Projectman, the LoKe is made for Wilson speakers. I think you are missing the point when you single out the amp. It's how it sounds with a Tune Tot, for example. Can the JL Fathom112 be made to sound as good, or with a Sasha DAW? That's the question. I learned a long time ago that once the purchase is made and you love the result, the pain quickly recedes. Wilson is a premium brand, and they need to make a profit. I don't believe they are ripping people off, as you seem to suggest. If I owned an appropriate Wilson speaker, I would be pleased to have the opportunity to match it with a LoKe as opposed to a JL112. When you must live with inferior sound for years to come 4K becomes inconsequential. It reduces to how it sounds, not the price of the amp, in the end.

Respectfully,

Charles
Reply With Quote
  #30  
Old 03-12-2022, 05:27 PM
audioguy3107's Avatar
audioguy3107 audioguy3107 is offline
Go Dawgs
 
Join Date: Jan 2011
Location: Atlanta, Georgia
Posts: 5,468
Default

I understand both sides of the debate here, it is interesting……..I do agree with Charles’ sentiment above, you do have to look at the system and how everything works together as a whole. If the Loke sounds excellent paired with the Tune Tots, then so be it. The problem here is not that Wilson may have outsourced an amplifier, I think the issue is when you have a highly skilled, advanced technology company like Wilson Audio and find out they’re using something that any random person can buy for a couple hundred bucks on a Parts Express website, it leaves a bad taste in the mouth of someone who just spent 8 grand on a high end subwoofer.

Look, the thing is, if you had subwoofer brand X for a price of even $5000 and someone found that they were using a Parts Express plate amp, pretty much everyone on this forum would think, most likely it sucks, they couldn’t even use a high quality amplifier.

- Buck
__________________
Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3
Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Audioaficionado.org tested by Norton Internet Security

All times are GMT -4. The time now is 07:04 PM.



Powered by vBulletin® Version 3.8.10
Copyright ©2000 - 2024, vBulletin Solutions, Inc.
©Copyright 2009-2023 AudioAficionado.org.Privately owned, All Rights Reserved.
Audio Aficionado Sponsors
AudioAficionado Subscriber
AudioAficionado Subscriber
Inspire By Dennis Had
Inspire By Dennis Had
Harmonic Resolution Systems
Harmonic Resolution Systems
Wyred4Sound
Wyred4Sound
Dragonfire Acoustics
Dragonfire Acoustics
GIK Acoustics
GIK Acoustics
Esoteric
Esoteric
AC Infinity
AC Infinity
JL Audio
JL Audio
Add Powr
Add Powr
Accuphase - Soulution
Accuphase - Soulution
Audio by E
Audio by E
Canton
Canton
Bryston
Bryston
WireWorld Cables
WireWorld Cables
Stillpoints
Stillpoints
Bricasti Design
Bricasti Design
Furutech
Furutech
Shunyata Research
Shunyata Research
Legend Audio & Video
Legend Audio & Video