#31
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I ordered two pair of jumpers from Jena Labs, the "Dussy Jumper" and the "Thin Man" to try with my MA7000.
The company was a pretty good company to deal with. When I sent my order in for two pair they emailed me back to make sure I actually wanted two pair and didn't make a mistake in ordering. The jumpers arrived within about ten days and I have to say they are wonderfully made little cables. I tried one pair, then the other, then back in with the stock things. Then I did things all over again, and again. The product is so damn nice looking compared to those stupid looking little stock things that I really wish I could report a positive change, no matter how small, but I can't. Below are a couple of pictures just in case anyone doubts that I have the product. Look closely and you'll see the new, wonderful, super duper, McIntosh MC452.
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Indeed, if facts were available, then faith is not required, so in a sense, faith can be based on the absence of evidence-a fiction. Last edited by KMC45; 08-16-2011 at 12:32 AM. |
#32
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Keith.......I suggest you install the Dussy Jumpers, and leave them in for a week or two, then make the change back to stock. There are times when extended listening will reveal subtle differences that you grow accustom to as you listen, and when replaced by the stock jumper these difference are more readily identifiable.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#33
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Keith, Appreciate your input on this matter. I wonder if anyone really thinks that McIntosh would include jumpers with the MA7000 that would degrade the sound quality.
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#34
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Dan,
I've done that in the past, but I often found myself reaching to find differences in order to justify my purchase. While some might find this hard to believe, I don't do subtle. I believe if there really is a difference it should be readily apparent. If I wasn't getting so lazy i'd do what i've done in the past, record some music with the new jumpers, and record it with the factory jumpers, then play it back. If a difference really existed it should be obvious, but i'm not going to bother this time. Bill, Those McIntosh engineers might just know a thing, or two, after all. I won't argue that some parts will be "better" than other parts, but the important issue is will they provide an audible difference once you put them in. In this case the new "better" part didn't.
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Indeed, if facts were available, then faith is not required, so in a sense, faith can be based on the absence of evidence-a fiction. |
#35
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Sticking with stock jumpers on my MA7000
I'm glad I stumbled upon this thread because a friend who knows that I just got my MA7000 sent me the URL of a blog post whose author insists that upgrading the jumpers made a night-and-day difference. My reaction was, "Huh? Why would McIntosh use jumpers that deteriorated sound quality?"
I think I'll stick with the stock jumpers. My MA7000 has been with me for only a week but I can definitely say that I'll still love it when the honeymoon is over. |
#36
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Jorge: Welcome and congrats on the MA7000. I haven't yet found a type of music that the MA6600 doesn't wonderfully reproduce. I'm sure it will be the same for you and the MA7000. Cheers!
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Karl Listening Room (2 Channel): Vandersteen 5A speakers, Simaudio Moon Neo 400M Mono Block Amplifiers, Esoteric D-07X DAC (preamp) via Apple Mac Mini (Roon), Furman IT-Reference 20i Power Cond., Wireworld. Listening Room (HT Portion): Vandersteen VCC-5 Center, Vandersteen VSM Signature Surrounds, JL Audio CR1 Crossover, JL Audio f110 v2 Subwoofer, Marantz SR 5010 Receiver, Wireworld Office: KEF R500 Speakers; Sonos Amp fed by Roon Family Room: Monitor Audio Silver RX6 speakers, McIntosh MA6600 Integrated Amplifier, Pro-Ject RME 9.1 TT w/ Sumiko Blackbird MC Cart. |
#37
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#38
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I've said it before and I'll say it again. ..
McIntosh would NEVER do anything to degrade or deteriorate sound quality. But, outside modifiers, tube manufacturers, wire makers, capacitor suppliers, and others, can, at usually quite high prices, offer parts or components that are "better" than the stock parts that McIntosh (and virtually every other equipment manufacturer) is able to use in their off-the-shelf audio products, because these companies manufacture to price points and can't afford to use "exotic" parts that would drive the cost of their equipment sky high, even though the exotic parts might improve the sound. Virtually every piece of equipment ever made (with the possible exception of the humongously expensive, already exotic equipment, made without regard to cost or selling price) can be made to sound "better" through the judicious use of higher cost, higher quality parts. This is why modifiers continue to function and offer upgrades to many many, already fine products, from a variety of manufacturers INCLUDING McINTOSH. The argument that McIntosh would never use anything to degrade the sound of a component is true . . . but many pieces of McIntosh equipment can be made to sound better with different (better) tubes, different wires, higher quality parts, different feet, etc. etc. I use different jumpers and like them - maybe just because they look better than the cheap things that McIntosh used on my MA7000, but, in spite of the engineer types who tried earlier to shoot me down as stupid, I actually think they sound better than the stock jumpers. My ears, my equipment, my music, my 50 years of listening to good audio components, all combine to tell me of subtle differences in sound, and if I can hear it, I don't care what any "if you can't prove it, it ain't so" engineer type says or thinks. There used to be an audio reviewer in the now, long defunct magazine, Stereo Review, named Julian Hirsch, who said that if the measurements of a piece of equipment met his standards, the equipment was perfect, and that all components that measured similarly sounded exactly the same. Hog Wash. The only real determinant on the sound quality of a piece of equipment is a good pair of ears. I'm sure that we all hear things a little differently, but the pioneering efforts of two audio reviewers, J. Gordon Holt, founder of Stereophile and Harry Pearson, founder of The Absolute Sound changed the rules, and reviewed and recommended equipment according to the way they sounded and not according to the way they measured. Thank the Good Lord for J. Gordon and Harry.
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
#39
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Quote:
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Karl Listening Room (2 Channel): Vandersteen 5A speakers, Simaudio Moon Neo 400M Mono Block Amplifiers, Esoteric D-07X DAC (preamp) via Apple Mac Mini (Roon), Furman IT-Reference 20i Power Cond., Wireworld. Listening Room (HT Portion): Vandersteen VCC-5 Center, Vandersteen VSM Signature Surrounds, JL Audio CR1 Crossover, JL Audio f110 v2 Subwoofer, Marantz SR 5010 Receiver, Wireworld Office: KEF R500 Speakers; Sonos Amp fed by Roon Family Room: Monitor Audio Silver RX6 speakers, McIntosh MA6600 Integrated Amplifier, Pro-Ject RME 9.1 TT w/ Sumiko Blackbird MC Cart. |
#40
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Installed. Call me crazy, but I think the vocals on this Jack Johnson high res. remaster of Brushfire Fairytales are smoother than they've ever been ....
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Karl Listening Room (2 Channel): Vandersteen 5A speakers, Simaudio Moon Neo 400M Mono Block Amplifiers, Esoteric D-07X DAC (preamp) via Apple Mac Mini (Roon), Furman IT-Reference 20i Power Cond., Wireworld. Listening Room (HT Portion): Vandersteen VCC-5 Center, Vandersteen VSM Signature Surrounds, JL Audio CR1 Crossover, JL Audio f110 v2 Subwoofer, Marantz SR 5010 Receiver, Wireworld Office: KEF R500 Speakers; Sonos Amp fed by Roon Family Room: Monitor Audio Silver RX6 speakers, McIntosh MA6600 Integrated Amplifier, Pro-Ject RME 9.1 TT w/ Sumiko Blackbird MC Cart. |
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