Let’s talk numbers. MoFi is releasing 40,000 copies of Thriller in 1-step. A stamper lasts between 500 and 1000 records, so MoFi has to make between 40 and 80 lacquers to fill the run.
There is NO WAY any master tape owner would let their masters be played that many times.
So MoFi has to make a second generation pressing master. They chose to use 4x DSD instead of analog tape. It’s a wise choice technically, the correct choice imo.
But their lack of transparency and actual outright lies are the most problematic thing here - not the end quality of the presssings, which are all excellent.
This is hard. Many masters have deteriorated and become unusable. Many more have been lost to fire and flood. Many of the masters used in re-issues are already second generation ‘safety’ masters. MoFi does a great job re-issuing this stuff. I just wish they didn’t lie about their ‘Original Master Recordings’, which many (most?) are not. And sometimes they have no way of knowing, either.
Sunlight is the best disinfectant. Time for MoFi to come clean and do what they do best - make great sounding records.
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Main System:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 80
Nottingham Dais with Wave Mechanic
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