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Problem that I see, is that speakers/rooms for audiophiles are no less Wild, Wild West... Tom. Certainly a Martin Logan sounds different from a Harbeth while the XRT2K sounds much different than both... There is no golden standard.
Of course mastering/mixing should be done with as close to your own system as possible but we know that is not possible.
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All these mastering guys have uber-tweaked rooms and systems and seldom travel to other venues. So they know what their systems sound like and can perform their magic knowing the result will meet a high standard.
Here is a link to Bob's mastering studio. It would be at home here @ AA custom room treatments, dedicated AC power, big Dynaudio MTM monitors (to reduce room reflections) big power amps, JL Audio subs with proper time-aligned crossovers, custom tape repro electronics, etc.
https://www.digido.com/studio-a/
The problems with headphones are adding back the inter-aural cross correlated time delay info that comes into play using speakers in a room. These timing cues are responsible for imaging width, depth, and height. But he does use them, and I am 100% onboard with his choices.
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Auxiliary monitoring is with the world’s best headphones, Stax 007 MkII and Audeze LCD-4, each driven by its own DAC and headphone amplifier.
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Main System:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 80
Nottingham Dais with Wave Mechanic
Sumiko Palo Santos Presentation
SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 77, Rega P3
OnDeck:
McIntosh MAC 4300v
Last edited by W9TR; 01-10-2021 at 03:06 PM.
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