I hope through all this controversy that MoFi continues to release great sounding records. They have gone out of business once before, and I’d hate to see it happen again.
I think we collectively need to change our expectations regarding ‘Original Masters’ and MoFi coming clean will help in this regard.
The original master tapes of some of our audiophile fav’s are over 50 years old. They are deteriorating over time and will continue to do so. The sooner they can be restored and captured to DSD the better.
I think capturing them now in DSD is far superior to creating analog tape copies. I know analog tape is a beloved format, but it has some serious flaws that DSD does not have.
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Main System:
Amati Futura Mains
Amati Homage VOX Center,
Proac Response 1sc Rears,
Three MC2301's for L,C,R
MC 602 for the rears
C 1100, MX 151, MCD 1100, MR 80
Nottingham Dais with Wave Mechanic
Sumiko Palo Santos Presentation
SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC
MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material.
Lake House:
Ohm F, MC 275V, C2300, MR 77, Rega P3
OnDeck:
McIntosh MAC 4300v
Last edited by W9TR; 08-06-2022 at 07:04 PM.
Reason: Typo
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