David, I am quite familiar with the Ayre C-5xeMP unit. Let me just say that a "forward soundstage" is much of a function of the speakers and their positioning in the room. The only way to actually determine if a CDP has a tendency of a forward soundstage is to listen to a few CDPs in the same system and compare.
In terms of the Ayre sounding forward overall or emphasizing the upper mids/lower highs, I don't agree. The Ayre sounds very balanced and coherent top to bottom. It is not a laid back or an overly analytical unit by comparison to others I've had in my system. I've compared it to the MCD/MDA combo and a few Krell CDPs. It is not as analytical and extraverted like the Krell 505 for example but it is a little more detailed and airy compared to the MDA.
The new MP filter goes a long way to eliminate the digital artifacts that exist with the D to A process such as to eliminate the pre-echo and post-ringing which does not occur with analog or real life musical waveform.
What you can expect from Ayre is that it sounds open, detailed, airy and very smooth. Now, the "smooth" part is the real difference here between the Ayre with MP filter and many other CDPs out there. It sounds "naturally smooth", when you spend some time listening to it, you will start to appreciate the fact that you can listen to a broad range of recordings and start to pick up on the fact that intentional guitar distortion for example sounds like distortion that is part of the musical content and what the musicians intended for you to hear while the dynamic range compression and clipped musical peaks sounds non-musical. With many other CDPs, the guitar distortion is often irritating as much as the dynamic range compressed musical content in the recording.
I found the Ayre to be a better overall CDP than even the mighty MDA1000/MCD1000 combo for my taste, it offered me a more realistic musical reproduction with a better defined and articulated, realistic bottom end, and an airy, silky smooth top end that is "naturally smooth" and extended.
Keep in mind that I am using a pair of Wilson speakers that are very revealing of upstream components and I have never experience any fatigue with the Ayre CDP unless the recordings were really terrible.
Trust me, the Ayre comes very close to that "perfect" digital reproduction, or as good as modern technology allows it to be. It doesn't over or under emphasize anything and sounds more natural than many, many CDPs out there. There is a reason why it is so popular with the reviewers. Like I said, I sold my MCD/MDA combo and I really liked that combo for sheer musicality. :yes:
Having heard an all Ayre system driving a new pair of Wilson Sasha, I really couldn't ask for much more from a system for a medium sized room and typical playback level and I am not easily impressed. :D Just to clarify, my taste in optimal sound includes a strong preference for rich harmonic content, smooth response without loosing detail and resolution and sound that has "meat on it's bones" and not harmonically or tonally threadbare. The Ayre delivers everything for my taste, especially in combination of other Ayre components such as KX-R and MXR in the same system. It is a sound that I can live with for a very long time. :music:
I'd suggest you borrow a unit to audition in your system, that is always the best approach. That's what I always try to do and had a chance to audition the C-5xeMP for a while in my own system before committing to it.
|