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This is a discussion on Post pictures of your Symposium products within the Symposium Acoustics forums, part of the Manufacturers Forums category; Originally Posted by jprice My Audio Physic Caldera speakers on Symposium Svelte Pads and Rollerblock Jr's JP, If you had ...

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Old 01-10-2010, 10:07 AM
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Originally Posted by jprice View Post

My Audio Physic Caldera speakers on Symposium Svelte Pads and Rollerblock Jr's

JP,

If you had to chose either the pads or the rollerblocks
for your speakers, which would it be?
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Old 01-10-2010, 10:43 AM
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JP,

If you had to chose either the pads or the rollerblocks
for your speakers, which would it be?
I think that the Svelte pads would be first, but in my own situation the combination of the pads plus Rollerblock Jr's pulled everything together. The pads alone made a huge difference in resolution, dimensionality and in the overall sound of the speakers. When I added the rollerblock jr's the imaging improved dramatically. For instance, on a well recorded human voice, the singer moved to the appropriate height, well above the top of the speakers, assumed a more three dimensional position - forward or backward within the soundstage, and the size of the singers mouth shrunk to the size of a real mouth - not some diffuse blob. All of a sudden, I could close my eyes and imagine that there really was a singer standing there in front of me. For me, the things worked.

Thanks for asking.

Julian
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MAIN SYSTEM: Avalon Eidolons and/or Audio Physic Caldera 3, Spectral DMC 30SL, DMA 250, Spectral/MIT cable, Basis Debut V vacuum turntable, Walker Precision Speed Controller, Graham tonearm, Graham Nightingale cartridge, PASS X-ono, Esoteric Modified-X03, Exact Power EP-15A & SP-15A isolation devices.

UPSTAIRS SYSTEM: Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated, McIntosh MVP871, VPI Scoutmaster with periphery ring clamp and VPI SDS Motor Drive, Koetsu Pro IV cartridge, Mark Levinson No. 25s phono stage, 14,000 LPs, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 Pro devices scattered around in the two systems.
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Old 01-17-2010, 07:24 PM
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Quote:
Originally Posted by jprice View Post
I think that the Svelte pads would be first, but in my own situation the combination of the pads plus Rollerblock Jr's pulled everything together. The pads alone made a huge difference in resolution, dimensionality and in the overall sound of the speakers. When I added the rollerblock jr's the imaging improved dramatically. For instance, on a well recorded human voice, the singer moved to the appropriate height, well above the top of the speakers, assumed a more three dimensional position - forward or backward within the soundstage, and the size of the singers mouth shrunk to the size of a real mouth - not some diffuse blob. All of a sudden, I could close my eyes and imagine that there really was a singer standing there in front of me. For me, the things worked.

Thanks for asking.

Julian
Juilian,

I will be ordering a set of the svettes and rollerblocks soon. Will let you know what I think. Thanks for taking the time to post pictures and your thoughts. Rob
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Old 02-07-2010, 11:11 PM
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Julian....a beautiful pool house and system. Having your main system in a separate dedicated room is the best.

Dave
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Old 02-15-2010, 07:28 PM
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Quote:
Originally Posted by Pyro View Post
Juilian,

I will be ordering a set of the svettes and rollerblocks soon. Will let you know what I think. Thanks for taking the time to post pictures and your thoughts. Rob
Rob,

Did you get your sveltes and Rollerblocks? Any comments?

Julian
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MAIN SYSTEM: Avalon Eidolons and/or Audio Physic Caldera 3, Spectral DMC 30SL, DMA 250, Spectral/MIT cable, Basis Debut V vacuum turntable, Walker Precision Speed Controller, Graham tonearm, Graham Nightingale cartridge, PASS X-ono, Esoteric Modified-X03, Exact Power EP-15A & SP-15A isolation devices.

UPSTAIRS SYSTEM: Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated, McIntosh MVP871, VPI Scoutmaster with periphery ring clamp and VPI SDS Motor Drive, Koetsu Pro IV cartridge, Mark Levinson No. 25s phono stage, 14,000 LPs, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 Pro devices scattered around in the two systems.
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Old 02-15-2010, 07:32 PM
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Originally Posted by f1 fan View Post
Julian....a beautiful pool house and system. Having your main system in a separate dedicated room is the best.

Dave
Thank you Dave. I love it when I am "sent" to the "Dog House". I really enjoy having my main system away from the house - except on these cold mornings - when I stay inside and listen to the other system.

Julian
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MAIN SYSTEM: Avalon Eidolons and/or Audio Physic Caldera 3, Spectral DMC 30SL, DMA 250, Spectral/MIT cable, Basis Debut V vacuum turntable, Walker Precision Speed Controller, Graham tonearm, Graham Nightingale cartridge, PASS X-ono, Esoteric Modified-X03, Exact Power EP-15A & SP-15A isolation devices.

UPSTAIRS SYSTEM: Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated, McIntosh MVP871, VPI Scoutmaster with periphery ring clamp and VPI SDS Motor Drive, Koetsu Pro IV cartridge, Mark Levinson No. 25s phono stage, 14,000 LPs, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 Pro devices scattered around in the two systems.

Last edited by jprice; 02-16-2010 at 08:41 AM.
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Old 02-15-2010, 10:01 PM
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Just get some of these hockey pucks for isolation ie solid rubber
Hockey Pucks - HockeyGiant, Your Hockey Equipment Source
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Old 02-15-2010, 10:09 PM
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Just get some of these hockey pucks for isolation ie solid rubber
Hockey Pucks - HockeyGiant, Your Hockey Equipment Source
Don't stop there!

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  #29 (permalink)  
Old 02-16-2010, 01:27 AM
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Don't stop there!


Jason recommends using Symposium products with McIntosh, got a problem with that?

Dave
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Last edited by f1 fan; 02-16-2010 at 01:29 AM.
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  #30 (permalink)  
Old 02-16-2010, 09:05 AM
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I have tried hockey pucks under speakers - NOTHING - I have also tried Ayre/Cardas myrtle wood blocks (which work under components) but under my speakers, they degraded the sound and shot the soundstage to hell.

I've tried all sorts of cones - metal - composite - carbon fiber - you name it, under my speakers, and they all worked in varying degrees - but in my opinion - in my system. nothing has worked nearly so successfully as SYMPOSIUM SVELTE SHELVES AND ROLLERBLOCK JR'S.

I don't find the need to further isolate my components. My equipment racks are Arcici Suspense Racks - which suspend all the shelves on rods, supported by inflated rubber inner-tube devices, and they isolate the components very successfully - except - I do use Goldmund cones or myrtle blocks under my CD/SACD players to keep any vibration from transferring to other components on the rack.

I've had the Arcici Racks for over 10 years and they continue to perform extraordinarily well. They were first reviewed in The Absolute Sound, and Harry Pearson used them exclusively in his own systems (may well still use them - I don't know). The only thing necessary to keep these racks at top performance is to check the "tire pressure" occasionally.

What I am saying is that Hockey Pucks may not be a universal answer for everyone - at least they aren't for me.
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MAIN SYSTEM: Avalon Eidolons and/or Audio Physic Caldera 3, Spectral DMC 30SL, DMA 250, Spectral/MIT cable, Basis Debut V vacuum turntable, Walker Precision Speed Controller, Graham tonearm, Graham Nightingale cartridge, PASS X-ono, Esoteric Modified-X03, Exact Power EP-15A & SP-15A isolation devices.

UPSTAIRS SYSTEM: Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated, McIntosh MVP871, VPI Scoutmaster with periphery ring clamp and VPI SDS Motor Drive, Koetsu Pro IV cartridge, Mark Levinson No. 25s phono stage, 14,000 LPs, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 Pro devices scattered around in the two systems.
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